{"id":9044,"date":"2026-07-16T22:12:03","date_gmt":"2026-07-16T19:12:03","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=9044"},"modified":"2026-07-16T22:12:06","modified_gmt":"2026-07-16T19:12:06","slug":"nae-106","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/nae-106\/","title":{"rendered":"Art mediation technique"},"content":{"rendered":"\n

DOI:10.31806\/2542-1158-2020-4-3-184-189<\/p>\n\n\n\n

\u0423\u0414\u041a 386<\/p>\n\n\n\n

Art mediation technique<\/strong><\/p>\n\n\n\n

Shimanskaya Kseniya Igorevna<\/strong><\/p>\n\n\n\n

Siberian Federal University<\/p>\n\n\n\n

Abstract.<\/strong> Today, art mediation as a participatory practice that teaches the language of art and its interpretation through the establishment and maintenance of a dialogue between two subjects of artistic communication \u2013 a work of art and a viewer, is a new and relevant topic for comprehensive research. It is open, polyphonic and highly personalized, which makes it interesting from a practical point of view primarily for employees of art museums and galleries who care about helping their visitors interpret the works presented in their halls. Art mediation implies a certain tactic of interaction of an art mediator with both the viewer and the work of art, which consists in building and maintaining a dialogue. The purpose of this article is to review the techniques used in the practice of art mediation to establish interaction between the work of art and the viewer. To do this, an analysis was made of various sources that offer an understanding of art mediation both at the theoretical and practical levels, and the activities of museums in Russia, for which art mediation is the latest cultural trend, in particular, the practice of the Krasnoyarsk Museum Center Ploshchad Mira. The article concludes that the art mediation methodology consists mainly in building and maintaining a dialogue between the main participants in artistic communication \u2013 a work of art and a viewer, and the role of a mediator as a mediator of this communication can be different \u2013 detached non-interference, benevolent mediation of Socratic dialogue, or active participation, which turns the dialogue into a polylogue.<\/p>\n\n\n\n

Keywords:<\/strong> Artistic communication, mediation, art mediation, work of art, spectator<\/p>\n\n\n\n

For citation:<\/strong> \u0428\u0438\u043c\u0430\u043d\u0441\u043a\u0430\u044f, \u041a. \u0418. \u041c\u0435\u0442\u043e\u0434\u0438\u043a\u0430 \u0430\u0440\u0442-\u043c\u0435\u0434\u0438\u0430\u0446\u0438\u0438 \/ \u041a. \u0418. \u0428\u0438\u043c\u0430\u043d\u0441\u043a\u0430\u044f \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0410\u0440\u0445\u0438\u0432\u044b \u0438 \u042d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. \u2013 2020. \u2013 \u0422. 4, \u2116 3. \u2013 \u0421. 184-189. \u2013 DOI 10.31806\/2542-1158-2020-4-3-184-189. \u2013 EDN ZKSHCW.<\/p>\n\n\n\n

References<\/strong><\/summary>\n

1.  \u0411\u0435\u0441\u0435\u043c\u0435\u0440 \u0425. \u041c\u0435\u0434\u0438\u0430\u0446\u0438\u044f. \u041f\u043e\u0441\u0440\u0435\u0434\u043d\u0438\u0447\u0435\u0441\u0442\u0432\u043e \u0432 \u043a\u043e\u043d\u0444\u043b\u0438\u043a\u0442\u0430\u0445 \/ \u041f\u0435\u0440\u0435\u0432\u043e\u0434 \u0441 \u043d\u0435\u043c. \u041d. \u0412. \u041c\u0430\u043b\u043e\u0432\u043e\u0439. – \u041a\u0430\u043b\u0443\u0433\u0430: \u0414\u0443\u0445\u043e\u0432\u043d\u043e\u0435 \u043f\u043e\u0437\u043d\u0430\u043d\u0438\u0435, 2005. 176 \u0441.,   <\/p>\n\n\n\n

2.  \u0416\u0443\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0412.\u0418. \u041f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437 \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0435 \u0442\u0435\u043e\u0440\u0438\u0438 \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \/\/ \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435, \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0438\u0435, \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438 \u044e\u0440\u0438\u0434\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043d\u0430\u0443\u043a\u0438, \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u044f \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435. \u0412\u043e\u043f\u0440\u043e\u0441\u044b \u0442\u0435\u043e\u0440\u0438\u0438 \u0438 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438. 2011. \u2116 5 (11). \u0421. 81-83.  EDN: OEXKVR,  <\/p>\n\n\n\n

3.  \u0416\u0443\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0412.\u0418., \u041a\u043e\u043f\u0446\u0435\u0432\u0430 \u041d.\u041f. \u041f\u0440\u043e\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u0442\u0435\u043e\u0440\u0438\u0438 \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430: \u0443\u0447\u0435\u0431. \u043f\u043e\u0441\u043e\u0431\u0438\u0435. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a: \u041a\u0413\u0423, 2004. 266 \u0441.  EDN: QXPZAZ,  <\/p>\n\n\n\n

4.  \u0416\u0443\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0412.\u0418. \u0422\u0435\u043e\u0440\u0438\u044f \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u0421\u041f\u0431.: \u0410\u043b\u0435\u0442\u0435\u0439\u044f, 2011. 496 \u0441.  EDN: SDSPGJ,  <\/p>\n\n\n\n

5.  \u041a\u043e\u0440\u043e\u0441\u0442 \u041d. \u0421. \u0410\u0440\u0442-\u043c\u0435\u0434\u0438\u0430\u0446\u0438\u044f \u043a\u0430\u043a \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0439 \u0442\u0440\u0435\u043d\u0434 \u043c\u0443\u0437\u0435\u0435\u0432 \u0420\u043e\u0441\u0441\u0438\u0438 \/ \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0435 \u0442\u0440\u0435\u043d\u0434\u044b \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0420\u043e\u0441\u0441\u0438\u0438: \u043e\u0442 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u0438\u0441\u0442\u043e\u043a\u043e\u0432 \u043a \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u043c \u0438\u043d\u043d\u043e\u0432\u0430\u0446\u0438\u044f\u043c: \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432 VII \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u043e\u0432, \u043c\u0430\u0433\u0438\u0441\u0442\u0440\u0430\u043d\u0442\u043e\u0432, \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442\u043e\u0432 \u0438 \u043c\u043e\u043b\u043e\u0434\u044b\u0445 \u0443\u0447\u0451\u043d\u044b\u0445 (\u0411\u0435\u043b\u0433\u043e\u0440\u043e\u0434, 25 \u0430\u043f\u0440\u0435\u043b\u044f 2019 \u0433\u043e\u0434\u0430): \u0432 5 \u0442. \/ \u043e\u0442\u0432. \u0440\u0435\u0434. \u041d. \u0412. \u0411\u0430\u0440\u0430\u043d\u0438\u0447\u0435\u043d\u043a\u043e, \u042e. \u0412. \u0411\u043e\u0432\u043a\u0443\u043d\u043e\u0432\u0430, \u041d. \u0415. \u041f\u043b\u044e\u0448\u043a\u0438\u043d\u0430, \u0421. \u0410. \u0415\u043d\u0438\u043d\u0430. \u0411\u0435\u043b\u0433\u043e\u0440\u043e\u0434: \u0411\u0413\u0418\u0418\u041a, 2019. \u0422. 1. \u0421. 276-280.  EDN: UDHJCS,  <\/p>\n\n\n\n

6.  \u041c\u0435\u0434\u0438\u0430\u0442\u043e\u0440\u044b \u0432 \u043c\u0443\u0437\u0435\u0435: \u0437\u0430\u0447\u0435\u043c \u043d\u0435\u0437\u043d\u0430\u043a\u043e\u043c\u0446\u044b \u0433\u043e\u0432\u043e\u0440\u044f\u0442 \u0441 \u043d\u0430\u043c\u0438 \u043e \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435. URL: http:\/\/cultura24.ru\/articles\/12384.,   <\/p>\n\n\n\n

7.  \u0420\u0430\u0431\u043e\u0447\u0430\u044f \u0442\u0435\u0442\u0440\u0430\u0434\u044c \u0430\u0440\u0442-\u043c\u0435\u0434\u0438\u0430\u0442\u043e\u0440\u0430 \/ \u0420\u0435\u0434. \u0419. \u041c\u0435\u0435\u0441\u0435\u043d, \u0422. \u0423\u043d\u0442\u0435\u0440\u043b\u0438\u0433\u0435\u043d.,   <\/p>\n\n\n\n

8.  – 2014 URL: http:\/\/manifesta10.org\/media\/uploads\/files\/workbook_mediation_rus.pdf.,   <\/p>\n\n\n\n

9.  Manifesta 11 Mediation Cards URL: https:\/\/manifesta.org\/wordpress\/wp-content\/uploads\/2018\/02\/M11-mediation-cards_a6_englishversion.pdf., <\/p>\n<\/details>\n\n\n\n

Get access to the full version of the article<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

DOI:10.31806\/2542-1158-2020-4-3-184-189 \u0423\u0414\u041a 386 Art mediation technique Shimanskaya Kseniya Igorevna Siberian Federal University Abstract. Today, art mediation as a participatory practice that teaches the language of art and its interpretation through the establishment and maintenance of a dialogue between two subjects of artistic communication \u2013 a work of art and a viewer, is a new and … Read more<\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=9042","footnotes":""},"wf_page_folders":[319],"class_list":["post-9044","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/9044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=9044"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/9044\/revisions"}],"predecessor-version":[{"id":9045,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/9044\/revisions\/9045"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=9044"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=9044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}