{"id":8460,"date":"2026-07-09T07:59:12","date_gmt":"2026-07-09T04:59:12","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=8460"},"modified":"2026-07-13T05:27:39","modified_gmt":"2026-07-13T02:27:39","slug":"nae-149","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/nae-149\/","title":{"rendered":"Creativity of the Krasnoyarsk documentary filmmaker I. Zaitseva as a phenomenon of regional and national culture"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">DOI: 10.31806\/2542-1158-2021-5-2-103-112<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0423\u0414\u041a 791.43<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Creativity of the Krasnoyarsk documentary filmmaker I. Zaitseva as a phenomenon of regional and national culture<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kostrykina Natalia Vitalievna<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Siberian Federal University<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract.<\/strong> The article describes the work of Irina Borisovna Zaitseva, a world-famous Krasnoyarsk documentary film director, a member of the Board of the Union of Cinematographers and the Association of Documentary Films of the Russian Federation, whose film productions have not yet been the subject of film studies. Her films have won numerous prizes at prestigious All-Russian and international film festivals (&#8220;Russia&#8221;, &#8220;Golden Knight&#8221;, &#8220;Living Water&#8221;, &#8220;Flahertiana&#8221;, &#8220;Stalker&#8221;, &#8220;Saratov Suffering&#8221;, &#8220;Mediawave&#8221;, &#8220;Documenta Madrid&#8221;, &#8220;Docupolis&#8221;, etc.). A number of documentary films reflect the history of not only the Krasnoyarsk Territory, but also Russia. Some films have a parable discourse and carry a moral and philosophical context. The director repeatedly addresses the topic of &#8220;fathers and children&#8221;. I. Zaitseva makes high demands on the profession of a film director, relying in her work on the director&#8217;s code of honor, so as not to harm the heroes of her documentaries. As a result of the analysis of the film &#8220;Martyrs and Confessors&#8221; and a brief review of other films directed by I. Zaitseva, a wide range of artistic techniques was identified: subjective video camera, vertical and parallel editing, historical reconstruction, &#8220;story within a story&#8221;, changing focalizations and temporality, allegory, and others. All the author&#8217;s means of the film language work for a strong drama, which distinguishes the films of the documentarian. In her work, there is a hybrid-a combination of factuality and artistry, which does not mean devaluing the principle of documentality. The Krasnoyarsk documentary filmmaker was one of the first in Russia to make a film about the tragic fate of the clergy who died at the hands of representatives of the Soviet government in the period 1918-1938. I. Zaitseva&#8217;s filmography is a phenomenon of regional and national culture.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keywords:<\/strong> ARS, Zaitseva, martyrs and confessors, documentary films, Krasnoyarsk documentary filmmakers, Siberian cinema.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>For citation: <\/strong>\u041a\u043e\u0441\u0442\u0440\u044b\u043a\u0438\u043d\u0430, \u041d. \u0412. \u0422\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u043a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u043e\u0433\u043e \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u0438\u0441\u0442\u0430 \u0418. \u0417\u0430\u0439\u0446\u0435\u0432\u043e\u0439 \u043a\u0430\u043a \u0444\u0435\u043d\u043e\u043c\u0435\u043d \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \/ \u041d. \u0412. \u041a\u043e\u0441\u0442\u0440\u044b\u043a\u0438\u043d\u0430 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0410\u0440\u0445\u0438\u0432\u044b \u0438 \u042d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. \u2013 2021. \u2013 \u0422. 5, \u2116 2. \u2013 \u0421. 103-112. \u2013 DOI 10.31806\/2542-1158-2021-5-2-103-112. \u2013 EDN JSUKFB.<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>References<\/strong><\/summary>\n<p class=\"wp-block-paragraph\">1. \u0411\u0430\u0445\u0442\u0438\u043d \u041c.\u041c. \u042d\u0441\u0442\u0435\u0442\u0438\u043a\u0430 \u0441\u043b\u043e\u0432\u0435\u0441\u043d\u043e\u0433\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430. \u041c., 1979. \u0421. 403.&nbsp; EDN: VQMUFP<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. \u0416\u0435\u043d\u043d\u0435\u0442 \u0416. \u041f\u043e\u0432\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0434\u0438\u0441\u043a\u0443\u0440\u0441 \/\/ \u0424\u0438\u0433\u0443\u0440\u044b. \u0422.2. \u041c., 1998. \u0421. 180. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0418. \u0411. \u0427\u0443\u043b\u043a\u043e\u0432 \u041c\u0438\u0445\u0430\u0439\u043b \u041f\u0440\u043e\u043a\u043e\u043f\u044c\u0435\u0432\u0438\u0447. \/\/ \u041e\u0444\u0438\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0439 \u043f\u043e\u0440\u0442\u0430\u043b \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u043e\u0433\u043e \u043a\u0440\u0430\u044f. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: http:\/\/www.krskstate.ru\/nasledie\/chulkov_mp (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 23 \u043e\u043a\u0442\u044f\u0431\u0440\u044f 2020). &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0418. \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0444\u0438\u043b\u044c\u043c &#8220;\u0412\u0435\u0447\u043d\u044b\u0435 \u0441\u0435\u043b\u0435\u043d\u0438\u044f&#8221; (1991). \u041a\u0438\u043d\u043e\u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442 \u211673. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/www.netfilm.ru\/film73\/?search=listq%D0%B2%D0%B5%D1%87%D0%BD%D1%8B%D0%B5%20%D1%81%D0%B5%D0%BB%D0%B5%D0%BD%D0%B8%D1%8F (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 4 \u043c\u0430\u044f 2020). &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0418. \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0444\u0438\u043b\u044c\u043c &#8220;\u041c\u0443\u0447\u0435\u043d\u0438\u043a\u0438 \u0438 \u0438\u0441\u043f\u043e\u0432\u0435\u0434\u043d\u0438\u043a\u0438&#8221; (1994) \/\/ \u041a\u0438\u043d\u043e\u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442 \u211682. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/www.net-film.ru\/film-82\/ (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 17 \u0444\u0435\u0432\u0440\u0430\u043b\u044f 2021). &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0418. \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0444\u0438\u043b\u044c\u043c &#8220;\u0428\u0430\u0440\u044b\u043f\u043e\u0432\u0441\u043a\u043e\u0435 \u0434\u0435\u043b\u043e&#8221; \/\/ \u041a\u0438\u043d\u043e\u0441\u0442\u0443\u0434\u0438\u044f &#8220;\u0410\u0440\u0445\u0438\u043f\u0435\u043b\u0430\u0433&#8221;. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a. 2008. CD-ROM. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0418. \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0444\u0438\u043b\u044c\u043c &#8220;\u0411\u0430\u043b\u043b\u0430\u0434\u0430 \u043e \u0441\u0442\u0430\u0440\u043e\u0439 \u043f\u0440\u0430\u0447\u0435\u0447\u043d\u043e\u0439&#8221; \/\/ \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0430\u044f \u043a\u0438\u043d\u043e\u0441\u0442\u0443\u0434\u0438\u044f. 2006. CD-ROM. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0418. \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0444\u0438\u043b\u044c\u043c &#8220;\u041d\u0430\u043a\u0430\u0437\u0430\u043d\u0438\u0435 \u0431\u0435\u0437 \u043f\u0440\u0435\u0441\u0442\u0443\u043f\u043b\u0435\u043d\u0438\u044f&#8221; \/\/ \u041a\u0438\u043d\u043e\u0441\u0442\u0443\u0434\u0438\u044f &#8220;\u0410\u0440\u0445\u0438\u043f\u0435\u043b\u0430\u0433&#8221;. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a. 2011. CD-ROM. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. \u0417\u0430\u0439\u0446\u0435\u0432\u0430 \u0418. \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0444\u0438\u043b\u044c\u043c &#8220;\u041a\u0430\u0440\u0434\u0438\u043e\u0445\u0438\u0440\u0443\u0440\u0433\u0438&#8221;\/\/ \u041e\u0444\u0438\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0439 \u043f\u043e\u0440\u0442\u0430\u043b \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u043e\u0433\u043e \u043a\u0440\u0430\u044f. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: http:\/\/www.krskstate.ru\/kraygrants\/dok_kino\/kino\/0\/id\/26169\/print\/yes (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 3 \u0434\u0435\u043a\u0430\u0431\u0440\u044f 2020). &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. \u0415\u0433\u043e\u0440\u043e\u0432 \u0410. \u041a\u0438\u043d\u043e \u0434\u043b\u044f \u043d\u0430\u0441. \/\/\u041d\u043e\u0432\u0430\u044f \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0441\u043a\u0430\u044f \u0436\u0438\u0437\u043d\u044c. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/gazeta.sfu-kras.ru\/node\/2722 (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 7 \u043c\u0430\u0440\u0442\u0430 2021). &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11. \u041a\u043e\u0441\u0442\u0440\u044b\u043a\u0438\u043d\u0430 \u041d.\u0412. \u0412\u043e\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u044f \u0441\u0446\u0435\u043d\u0430\u0440\u0438\u0441\u0442\u0430, \u0440\u0443\u043a\u043e\u0432\u043e\u0434\u0438\u0442\u0435\u043b\u044f \u043a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u043e\u0439 \u043a\u0438\u043d\u043e\u0441\u0442\u0443\u0434\u0438\u0438 \u0410.\u0410. \u041c\u0438\u0445\u0430\u0439\u043b\u043e\u0432\u0430 \u043a\u0430\u043a \u0438\u0441\u0442\u043e\u0447\u043d\u0438\u043a \u043f\u043e \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u043a\u0438\u043d\u043e\u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u0438\u0441\u0442\u0438\u043a\u0438. \/\/\u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. &#8211; 2020. T. 4. \u2116 1. \u0421. 104-112.&nbsp; EDN: TRPSIT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12. \u041a\u043e\u0441\u0442\u0440\u044b\u043a\u0438\u043d\u0430 \u041d. \u0412. \u0421\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u0438\u0435 \u0438 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u043a\u0438\u043d\u043e\u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u0438\u0441\u0442\u0438\u043a\u0438 \u0432 \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u043e\u043c \u043a\u0440\u0430\u0435. \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2020. \u0422. 4. \u2116 3 (09). \u0421. 205-216.&nbsp; EDN: PQSUGJ<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13. \u041a\u0443\u0437\u043d\u0435\u0446\u043e\u0432 \u0412. \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0431\u0435\u0437 \u0440\u0435\u0442\u0443\u0448\u0438 \/\/ \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0430\u044f \u0433\u0430\u0437\u0435\u0442\u0430. \u2116207. 2008. \u0421. 16. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">14. \u041b\u0430\u043b\u0435\u0442\u0438\u043d\u0430 \u0415. \u041e\u0449\u0443\u0449\u0430\u044e \u043d\u0430 \u0441\u0435\u0431\u0435 \u0433\u0435\u043d\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043a\u043e\u0434 \u043e\u0442\u0446\u0430 \u0438 \u0434\u0435\u0434\u0430 \/\/ \u0413\u043e\u0440\u043e\u0434\u0441\u043a\u0438\u0435 \u043d\u043e\u0432\u043e\u0441\u0442\u0438, \u211646. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a. 2009. \u0421. 5. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">15. \u041c\u0430\u0439\u0441\u0442\u0440\u0435\u043d\u043a\u043e \u0412. \u041d\u0435 \u0443\u043c\u043e\u043b\u043a\u043d\u0435\u0442 \u043a\u043e\u043b\u043e\u043a\u043e\u043b\u044c\u043d\u044b\u0439 \u0437\u0432\u043e\u043d (\u0440\u0430\u0437\u043c\u044b\u0448\u043b\u0435\u043d\u0438\u044f \u043e \u043d\u043e\u0432\u043e\u043c \u0444\u0438\u043b\u044c\u043c\u0435 \u043a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0438\u0445 \u043a\u0438\u043d\u043e\u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u0438\u0441\u0442\u043e\u0432 &#8220;\u041c\u0443\u0447\u0435\u043d\u0438\u043a\u0438 \u0438 \u0438\u0441\u043f\u043e\u0432\u0435\u0434\u043d\u0438\u043a\u0438&#8221;). \/\/ \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0438\u0439 \u0440\u0430\u0431\u043e\u0447\u0438\u0439 (1995). \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/memorial.krsk.ru\/Public\/1995\/19950225.ht (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 11 \u044f\u043d\u0432\u0430\u0440\u044f 2021). &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">16. \u041c\u0435\u0440\u0437\u043b\u044f\u043a\u043e\u0432\u0430 \u0410. 35 \u043c\u043c \u0434\u043e\u0431\u0440\u043e\u0442\u044b \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0444\u043e\u0440\u0443\u043c. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a. &#8211; 2011. \u0421. 15. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17. \u041f\u0440\u043e\u0436\u0438\u043a\u043e \u0413.\u0421. \u041a\u043e\u043d\u0446\u0435\u043f\u0446\u0438\u0438 \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \u0432 \u044d\u043a\u0440\u0430\u043d\u043d\u043e\u043c \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0435. \u041c., 2004. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">18. \u042f\u043c\u043f\u043e\u043b\u044c\u0441\u043a\u0438\u0439 \u041c. \u0414\u0438\u0441\u043a\u0443\u0440\u0441 \u0438 \u043f\u043e\u0432\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u043d\u0438\u0435 \/\/ \u042f\u043c\u043f\u043e\u043b\u044c\u0441\u043a\u0438\u0439 \u041c. \u042f\u0437\u044b\u043a &#8211; \u0442\u0435\u043b\u043e &#8211; \u0441\u043b\u0443\u0447\u0430\u0439: \u041a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444 \u0438 \u043f\u043e\u0438\u0441\u043a\u0438 \u0441\u043c\u044b\u0441\u043b\u0430. \u041c.: \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435, 2004.<\/p>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.elibrary.ru\/item.asp?id=46195858\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Get access to the full version of this article<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>DOI: 10.31806\/2542-1158-2021-5-2-103-112 \u0423\u0414\u041a 791.43 Creativity of the Krasnoyarsk documentary filmmaker I. Zaitseva as a phenomenon of regional and national culture Kostrykina Natalia Vitalievna Siberian Federal University Abstract. The article describes the work of Irina Borisovna Zaitseva, a world-famous Krasnoyarsk documentary film director, a member of the Board of the Union of Cinematographers and the Association &#8230; <a title=\"Creativity of the Krasnoyarsk documentary filmmaker I. Zaitseva as a phenomenon of regional and national culture\" class=\"read-more\" href=\"http:\/\/intelsiberia.ru\/en\/nae-149\/\" aria-label=\"Read more about Creativity of the Krasnoyarsk documentary filmmaker I. Zaitseva as a phenomenon of regional and national culture\">Read more<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=8457","footnotes":""},"wf_page_folders":[319],"class_list":["post-8460","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=8460"}],"version-history":[{"count":2,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8460\/revisions"}],"predecessor-version":[{"id":8815,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8460\/revisions\/8815"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=8460"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=8460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}