{"id":8261,"date":"2026-06-18T20:02:15","date_gmt":"2026-06-18T17:02:15","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=8261"},"modified":"2026-06-18T20:02:17","modified_gmt":"2026-06-18T17:02:17","slug":"nae-352","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/nae-352\/","title":{"rendered":"THE PECULIARITIES OF THE CREATIVITY OF CHINESE THEATERS IN THE RESEARCH OF MEMBERS OF THE “SOCIETY OF RUSSIAN ORIENTALISTS” (BASED ON THE MATERIALS OF THE P 2480 RUSSIAN STATE HISTORICAL ARCHIVE OF THE FAR EAST)"},"content":{"rendered":"\n

\u0423\u0414\u041a: 792.03<\/p>\n\n\n\n

THE PECULIARITIES OF THE CREATIVITY OF CHINESE THEATERS IN THE RESEARCH OF MEMBERS OF THE “SOCIETY OF RUSSIAN ORIENTALISTS” (BASED ON THE MATERIALS OF THE P 2480 RUSSIAN STATE HISTORICAL ARCHIVE OF THE FAR EAST)<\/strong><\/strong><\/p>\n\n\n\n

Sofia Yu. Gamaley<\/strong><\/p>\n\n\n\n

Far Eastern Law Institute of the Ministry of Internal Affairs of Russia, Khabarovsk, Russia<\/p>\n\n\n\n

Abstract<\/strong>. The article examines the peculiarities of the creativity of Chinese theaters of the Far East at the beginning of the twentieth century, which were formed during the long development of Chinese civilization. Studying the specifics of Chinese theatrical art is relevant, since interaction between Russia and China has now reached a new level, and in the context of the existing historical experience of cultural cooperation, it is possible to create a high-quality basis for the effective development of Russian-Chinese relations.<\/p>\n\n\n\n

The purpose of the work was to study the materials of members of the Society of Russian Orientalists, which existed at the beginning of the twentieth century, about the Chinese theater, presented in the fund P 2480 of the Russian State Historical Archive of the Far East. An analysis of articles by various scientists contained in this collection confirmed the research hypothesis about the interest of representatives of the Russian intelligentsia of the Far East in the work of Chinese theater groups, whose activities they encountered while visiting Chinese settlements that existed in the cities of the Far Eastern region. The work uses an integrated approach that combines source analysis of articles from periodicals, content analysis of archival funds, as well as a systematic analysis of identifying unique features in the work of Chinese theater groups. Particular attention is paid to the opinion of the chairman of the Society of Russian Orientalists E.V. Daniel, who managed to collect and provide the public of Harbin with information about the types of Chinese theaters, their drama, the features of directing and acting. In conclusion, the author concludes about the undoubted important role of the research work carried out by the society of Russian Orientalists, since already on its basis the study of Chinese theatrical culture in the Soviet period acquired a more qualitative and structured character. And although the material in the article touches on many well-known facts, its presence indicates that the interest in Chinese culture among modern researchers does not lose intensity.<\/p>\n\n\n\n

Keywords:<\/strong> theater, Chinese theater, society of Russian Orientalists, Bulletin of Asia magazine, Chinese settlement, Chinese drama.<\/p>\n\n\n\n

References<\/strong><\/summary>\n

1.         \u0411\u0430\u0443\u0431\u0435\u043a\u043e\u0432\u0430 \u0421.\u0410. \u0411\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u0447\u043d\u0430\u044f \u0438 \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u043a\u0430\u044f \u0434\u0435\u044f\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u043d\u0430\u0443\u0447\u043d\u044b\u0445 \u043e\u0431\u0449\u0435\u0441\u0442\u0432 \u0414\u0430\u043b\u044c\u043d\u0435\u0433\u043e \u0412\u043e\u0441\u0442\u043e\u043a\u0430 \u043d\u0430 \u0440\u0443\u0431\u0435\u0436\u0435 XIX-XX \u0432\u0432. \/ \u0421.\u0410. \u0411\u0430\u0443\u0431\u0435\u043a\u043e\u0432\u0430 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0414\u0412\u041e \u0420\u0410\u041d. 2014. \u2116 6 (178). \u0421. 15-21.     <\/p>\n\n\n\n

2.         \u0413\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0430\u0440\u0445\u0438\u0432 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 (\u0420\u0413\u0410\u041b\u0418). \u0424. 963. \u041e\u043f. 1. \u0414. 57. \u041b. 1-19.    <\/p>\n\n\n\n

3.         \u0413\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0430\u0440\u0445\u0438\u0432 \u0425\u0430\u0431\u0430\u0440\u043e\u0432\u0441\u043a\u043e\u0433\u043e \u043a\u0440\u0430\u044f (\u0413\u0410\u0425\u041a). – \u0424. \u041f.-2. \u041e\u043f. 11. \u0414. 241. \u041b. 7-8.<\/p>\n\n\n\n

4.         \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d\u043e\u0432, \u0413.\u0414. \u041a\u0438\u0442\u0430\u0439\u0441\u043a\u0430\u044f \u0434\u0438\u0430\u0441\u043f\u043e\u0440\u0430 \u0432 \u0425\u0430\u0431\u0430\u0440\u043e\u0432\u0441\u043a\u0435 1858-1938 \/ \u0413.\u0414. \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d\u043e\u0432, \u0412.\u041d. \u041b\u044f\u0448\u043a\u043e\u0432\u0441\u043a\u0438\u0439. – \u0425\u0430\u0431\u0430\u0440\u043e\u0432\u0441\u043a: \u0414\u0430\u043b\u044c\u043d\u0435\u0432\u043e\u0441\u0442\u043e\u0447\u043d\u044b\u0439 \u0438\u0437\u0434. \u0426\u0435\u043d\u0442\u0440 \u041f\u0440\u0438\u0430\u043c\u0443\u0440\u0441\u043a\u0438\u0435 \u0432\u0435\u0434\u043e\u043c\u043e\u0441\u0442\u0438, 2019. – 368 c.    <\/p>\n\n\n\n

5.         \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d\u043e\u0432, \u0413.\u0414. \u041a\u0438\u0442\u0430\u0439\u0441\u043a\u0438\u0439 \u0442\u0435\u0430\u0442\u0440: \u043e\u0442 \u043a\u043b\u0430\u0441\u0441\u0438\u043a\u0438 \u0434\u043e \u0430\u0433\u0438\u0442\u043a\u0438 \/ \u0413.\u0414. \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d\u043e\u0432 \/\/ \u0421\u043b\u043e\u0432\u0435\u0441\u043d\u0438\u0446\u0430 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432. – 2019. – \u2116 1.     <\/p>\n\n\n\n

6.         \u041a\u043e\u0440\u043e\u043b\u0435\u0432\u0430, \u0412.\u0410. \u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0439 \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u0438\u0439 \u0442\u0435\u0430\u0442\u0440 \u0438 \u0435\u0433\u043e \u0440\u043e\u043b\u044c \u0432 \u0436\u0438\u0437\u043d\u0438 \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u043e\u0433\u043e \u043d\u0430\u0441\u0435\u043b\u0435\u043d\u0438\u044f \u043d\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u043c \u0434\u0430\u043b\u044c\u043d\u0435\u043c \u0432\u043e\u0441\u0442\u043e\u043a\u0435 (\u0432\u0442\u043e\u0440\u0430\u044f \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0430 XIX \u0432. – 1935 \u0433.) \/ \u0412. \u0410. \u041a\u043e\u0440\u043e\u043b\u0435\u0432\u0430 \/\/ \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435, \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0438\u0435, \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438 \u044e\u0440\u0438\u0434\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043d\u0430\u0443\u043a\u0438, \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u044f \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435. \u0412\u043e\u043f\u0440\u043e\u0441\u044b \u0442\u0435\u043e\u0440\u0438\u0438 \u0438 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438. – 2015. – \u2116 10 (60), \u0447. I. – C. 115-121.  EDN: UIPKFL   <\/p>\n\n\n\n

7.         \u041a\u043e\u0440\u043e\u043b\u0435\u0432\u0430, \u0412.\u0410. \u041a\u0438\u0442\u0430\u0439\u0441\u043a\u0438\u0435 \u0438 \u043a\u043e\u0440\u0435\u0439\u0441\u043a\u0438\u0435 \u0442\u0435\u0430\u0442\u0440\u044b \u043d\u0430 \u0414\u0430\u043b\u044c\u043d\u0435\u043c \u0412\u043e\u0441\u0442\u043e\u043a\u0435 \u0420\u043e\u0441\u0441\u0438\u0438 \/ \u0412.\u0410. \u041a\u043e\u0440\u043e\u043b\u0435\u0432\u0430 \/\/ \u0420\u043e\u0441\u0441\u0438\u044f \u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0439 \u043c\u0438\u0440. – 2002. – \u2116 2. – \u0421. 176-180.  EDN: BDRJJZ         <\/p>\n\n\n\n

8.         \u041a\u0443\u043b\u0438\u043d\u0438\u0447, \u041d.\u0413. \u041a\u0438\u0442\u0430\u0439\u0441\u043a\u0438\u0439 \u0442\u0435\u0430\u0442\u0440 \u0440\u0430\u0431\u043e\u0447\u0435\u0439 \u043c\u043e\u043b\u043e\u0434\u0435\u0436\u0438 \u043d\u0430 \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u043c \u0414\u0430\u043b\u044c\u043d\u0435\u043c \u0412\u043e\u0441\u0442\u043e\u043a\u0435 (1930-\u0435 \u0433\u043e\u0434\u044b) \/ \u041d.\u0413. \u041a\u0443\u043b\u0438\u043d\u0438\u0447 \/\/ \u041d\u043e\u0432\u044b\u0439 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0432\u0435\u0441\u0442\u043d\u0438\u043a. – 2011. – \u2116 3. – C. 57-63.  EDN: QLSGAD  <\/p>\n\n\n\n

9.         \u041f\u0440\u0435\u0441\u043d\u044f\u043a\u043e\u0432\u0430, \u041b.\u0412. \u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0439 \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u0438\u0439 \u0442\u0435\u0430\u0442\u0440 \u043d\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u043c \u0414\u0430\u043b\u044c\u043d\u0435\u043c \u0412\u043e\u0441\u0442\u043e\u043a\u0435 \u0438 \u0432 \u043f\u043e\u043b\u043e\u0441\u0435 \u043e\u0442\u0447\u0443\u0436\u0434\u0435\u043d\u0438\u044f \u041a\u0412\u0416\u0414 \u0432 \u043a\u043e\u043d\u0446\u0435 \u0425I\u0425 – \u043d\u0430\u0447\u0430\u043b\u0435 \u0425\u0425 \u0432. \/ \u041b.\u0412. \u041f\u0440\u0435\u0441\u043d\u044f\u043a\u043e\u0432\u0430 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0414\u0412\u041e \u0420\u0410\u041d. – 2006. – \u2116 2. – \u0421. 114-124.  EDN: HZKXCH<\/p>\n\n\n\n

10.       \u041f\u0440\u0435\u0441\u043d\u044f\u043a\u043e\u0432\u0430, \u041b.\u0412. \u041b\u0435\u0442\u043e\u043f\u0438\u0441\u044c \u0442\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0439 \u0436\u0438\u0437\u043d\u0438 \u0414\u0430\u043b\u044c\u043d\u0435\u0432\u043e\u0441\u0442\u043e\u0447\u043d\u043e\u0433\u043e \u0440\u0435\u0433\u0438\u043e\u043d\u0430 \u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c \u0441\u0442\u043e\u043b\u0438\u0447\u043d\u043e\u0439 \u043f\u0440\u0435\u0441\u0441\u044b (\u043a\u043e\u043d\u0435\u0446 XIX – \u043d\u0430\u0447\u0430\u043b\u043e XX \u0432\u0432.) \/ \u041b. \u0412. \u041f\u0440\u0435\u0441\u043d\u044f\u043a\u043e\u0432\u0430, \u0421. \u0412. \u041f\u0440\u0435\u0441\u043d\u044f\u043a\u043e\u0432. – \u0412\u043b\u0430\u0434\u0438\u0432\u043e\u0441\u0442\u043e\u043a: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0412\u0413\u0423\u042d\u0421, 2005. – 352 \u0441.<\/p>\n\n\n\n

11.       \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0430\u0440\u0445\u0438\u0432 \u0414\u0430\u043b\u044c\u043d\u0435\u0433\u043e \u0412\u043e\u0441\u0442\u043e\u043a\u0430 (\u0420\u0413\u0418\u0410 \u0414\u0412). – \u0424. \u0420 2480. \u041e\u043f. 1. \u0414. 1. \u0421. 8-41.         <\/p>\n\n\n\n

12.       \u0427\u0436\u0430\u043e, \u0425. \u041a\u0438\u0442\u0430\u0439\u0441\u043a\u0438\u0439 \u0441\u0435\u0432\u0435\u0440\u043d\u044b\u0439 \u0442\u0435\u0430\u0442\u0440 \u0432\u043e \u0412\u043b\u0430\u0434\u0438\u0432\u043e\u0441\u0442\u043e\u043a\u0435 (\u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c \u0430\u0440\u0445\u0438\u0432\u043d\u044b\u0445 \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u043e\u0432) \/ \u0425. \u0427\u0436\u0430\u043e, \u0424. \u041c\u044d\u043d, \u0421.\u041c. \u0414\u0443\u0434\u0430\u0440\u0435\u043d\u043e\u043a \/\/ \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u043d\u0430\u0443\u043a\u0430: \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u0442\u0435\u043e\u0440\u0438\u0438 \u0438 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438. \u0421\u0435\u0440\u0438\u044f: \u0413\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u044b\u0435 \u043d\u0430\u0443\u043a\u0438. – 2021. – \u2116 11\/2. – \u0421. 45-51.  EDN: KFDVQB     <\/p>\n<\/details>\n\n\n\n

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\u0423\u0414\u041a: 792.03 THE PECULIARITIES OF THE CREATIVITY OF CHINESE THEATERS IN THE RESEARCH OF MEMBERS OF THE “SOCIETY OF RUSSIAN ORIENTALISTS” (BASED ON THE MATERIALS OF THE P 2480 RUSSIAN STATE HISTORICAL ARCHIVE OF THE FAR EAST) Sofia Yu. Gamaley Far Eastern Law Institute of the Ministry of Internal Affairs of Russia, Khabarovsk, Russia Abstract. The … Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=8259","footnotes":""},"wf_page_folders":[319],"class_list":["post-8261","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=8261"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8261\/revisions"}],"predecessor-version":[{"id":8262,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8261\/revisions\/8262"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=8261"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=8261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}