{"id":8240,"date":"2026-06-18T17:09:37","date_gmt":"2026-06-18T14:09:37","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=8240"},"modified":"2026-06-18T17:09:40","modified_gmt":"2026-06-18T14:09:40","slug":"nae-363","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/nae-363\/","title":{"rendered":"AHALYSIS OF THE CURRENT STATE OF GRAFFITI ART RESEARCH IN CHINA: A VISUALIZATION ANALYSIS USING CITESPACE KNOWLEDGE GRAPH BASED ON CNKI DATA"},"content":{"rendered":"\n

\u0423\u0414\u041a: 7.036<\/p>\n\n\n\n

AHALYSIS OF THE CURRENT STATE OF GRAFFITI ART RESEARCH IN CHINA: A VISUALIZATION ANALYSIS USING CITESPACE KNOWLEDGE GRAPH BASED ON CNKI DATA<\/strong><\/strong><\/p>\n\n\n\n

Mao Sang<\/strong><\/p>\n\n\n\n

Siberian Federal University, Krasnoyarsk, Russia<\/p>\n\n\n\n

Abstract<\/strong>. By the late 1980s, graffiti art had entered China, exerting an unprecedented influence on Chinese art. This paper utilizes the literature analysis software Citespace to conduct a visual analysis of nearly thirty years of literature on Chinese graffiti art in the CNKI database, exploring research hotspots and trends to provide references and suggestions for future studies. The study searched for literature on graffiti art in the CNKI database from 1991 to 2023, obtaining 710 valid documents. It applied Citespace to create knowledge maps and conduct visual analyses of publication volume, authors, research institutions, and research hotspots. The analysis results show. First, Chinese scholars’ research on graffiti art first appeared in 1993, and the volume of publications has been increasing since then; Second, there is limited collaboration among scholars, and the connections between research institutions are also scattered; Third, research hotspots mainly focus on the expressive forms of graffiti, urban renewal, and its functions and applications.<\/p>\n\n\n\n

Keywords:<\/strong> CiteSpace, Chinese Graffiti Art, Visualization.<\/p>\n\n\n\n

References<\/strong><\/summary>\n

1.           Chen,Ts.The Sound of Drawing on the wall:A Cultural History of Graffiti\/Chen,Ts.-Jinan.-ShanDong Fine Arts Publishing House.-2010.-P.11-52.      <\/p>\n\n\n\n

2.           Vaklavik.Graffiti and Street Art: Zhao Ch. -Shanghai.-Shanghai People’s Fine Arts Publishing House.-2015-P. 48-50.           <\/p>\n\n\n\n

3.           Chen,Y.F. Commercial Society and Graffiti Art as Youth Subculture:Art Observation. -2004.-P.10-13.  <\/p>\n\n\n\n

4.           Ye,S.Chen,X.M. On the development of graffiti art in graphic design:Packaging Engineering.- 2008.-P.183-185. <\/p>\n\n\n\n

5.           Li,B. Luo,Q. Liu,P.Knowledge mapping analysis of Chinese traditional villages research based on Citespace: Economic Geography. -2017.-P.207-214.    <\/p>\n\n\n\n

6.           Chen,Y. Chen,C.M. Liu,Z.Y.-Methodological Functions of CiteSpace Knowledge Graph.- Research in Science-2015.-P.242-253.<\/p>\n<\/details>\n\n\n\n

Get access to the full version of this article<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0423\u0414\u041a: 7.036 AHALYSIS OF THE CURRENT STATE OF GRAFFITI ART RESEARCH IN CHINA: A VISUALIZATION ANALYSIS USING CITESPACE KNOWLEDGE GRAPH BASED ON CNKI DATA Mao Sang Siberian Federal University, Krasnoyarsk, Russia Abstract. By the late 1980s, graffiti art had entered China, exerting an unprecedented influence on Chinese art. This paper utilizes the literature analysis software Citespace … Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=8238","footnotes":""},"wf_page_folders":[319],"class_list":["post-8240","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=8240"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8240\/revisions"}],"predecessor-version":[{"id":8241,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/8240\/revisions\/8241"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=8240"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=8240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}