{"id":7406,"date":"2026-04-01T12:20:23","date_gmt":"2026-04-01T09:20:23","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=7406"},"modified":"2026-04-01T12:20:24","modified_gmt":"2026-04-01T09:20:24","slug":"nae-307","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/nae-307\/","title":{"rendered":"RELIGIOUS PROBLEMS IN THE HISTORICAL-REVOLUTIONARY WORKS OF THE \u00abSEVERE STYLE\u00bb"},"content":{"rendered":"\n

\u0423\u0414\u041a  7.044<\/p>\n\n\n\n

RELIGIOUS PROBLEMS IN THE HISTORICAL-REVOLUTIONARY WORKS OF THE \u00abSEVERE STYLE\u00bb<\/strong><\/p>\n\n\n\n

Mariana A. Borodina<\/strong><\/p>\n\n\n\n

Siberian Federal University, Krasnoyarsk, Russia<\/strong><\/p>\n\n\n\n

Abstract<\/strong>. The article considers revolutionary themes as a special case of the historical genre in the Soviet fine arts of the 60-80s, representing not only the concrete historical nature of social values, but also a metaphysical concept. Along with the masters of the capital, regional artists are working on the problem of presenting the non-historical context in the language of the \u00absevere style\u00bb in the works of the historical genre on a revolutionary theme. As a representative embodying religious issues in the historical and revolutionary works of the \u00absevere style\u00bb, it is proposed to consider the work of the Krasnoyarsk artist S. E. Orlov. To reveal the topic, the article presents a cultural rationale for the historical genre in the system of artistic culture and a philosophical and art history analysis of relevant works, proving not only the implementation of ethical norms and aesthetic features of the era, but also the spectrum of religious and philosophical problems.<\/p>\n\n\n\n

The empirical foundation of this study was the work with the personal archives of S. E. Orlov, conversations and interviews with the widow of the artist A. N. Orlova, which took place in the period from 2007 to 2019.<\/p>\n\n\n\n

The methodological basis of the study was the genre concept of M. M. Bakhtin, according to which the genre has a pragmatic orientation towards the social interaction of people, is a condition for communication and a generator of ideas, that is, it is understood as a universal tool of culture, cultural and philosophical category; the iconographic method of N. P. Kondakov and P. P. Muratov, which implies a semiotic level of analysis of a literary text in determining the religious semantics of the artistic language of a work; the concept of the symbolic language of perspective by P. A. Florensky and the concept of the communicative nature of the icon as the artistic dominant of the work of A. B. Uspensky; extrapolation of the iconographic method to the analysis of the works of the Russian avant-garde by V. V. Bychkov; the concept of the visual essence of religion by, V. I. Zhukovsky, N. P. Koptseva. and D. V. Pivovarov.<\/p>\n\n\n\n

Keywords:<\/strong> S. E. Orlov, Soviet art, \u00absevere style\u00bb, socialist realism, historical genre, socialist revolution theme, severe style iconography, fine arts of Siberia.<\/p>\n\n\n\n

For citation:<\/strong> \u0411\u043e\u0440\u043e\u0434\u0438\u043d\u0430, \u041c. \u0410. \u0420\u0435\u043b\u0438\u0433\u0438\u043e\u0437\u043d\u0430\u044f \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430\u0442\u0438\u043a\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u043a\u043e-\u0440\u0435\u0432\u043e\u043b\u044e\u0446\u0438\u043e\u043d\u043d\u044b\u0445 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439 \u00ab\u0441\u0443\u0440\u043e\u0432\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f\u00bb \/ \u041c. \u0410. \u0411\u043e\u0440\u043e\u0434\u0438\u043d\u0430 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0410\u0440\u0445\u0438\u0432\u044b \u0438 \u042d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. \u2013 2023. \u2013 \u0422. 7, \u2116 2. \u2013 \u0421. 15-26. \u2013 EDN EVTONZ.<\/p>\n\n\n\n

References<\/strong><\/summary>\n

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3.           \u0411\u0430\u0445\u0442\u0438\u043d \u041c. \u041c. \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u0430 \u0442\u0435\u043a\u0441\u0442\u0430 \u0432 \u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0435, \u0444\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u0434\u0440\u0443\u0433\u0438\u0445 \u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u044b\u0445 \u043d\u0430\u0443\u043a\u0430\u0445. \u041e\u043f\u044b\u0442 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u043e\u0433\u043e \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \/ \u042d\u0441\u0442\u0435\u0442\u0438\u043a\u0430 \u0441\u043b\u043e\u0432\u0435\u0441\u043d\u043e\u0433\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430. \u041c., \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e, 1979. \u0421. 281-308. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: http:\/\/rrhumanities.ru\/journal\/article\/149.  EDN: VQMUFP     <\/p>\n\n\n\n

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5.           Bertele M. Soviet “Severe Romanticism” at the 1962 Venice Biennale: The Case of Viktor Popkov \/\/ Experiment. 2017. Vol 23 \u21161. \u0420. 158-172. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/d1wqtxts1xzle7.cloudfront.net.              <\/p>\n\n\n\n

6.           \u0411\u043e\u0440\u043e\u0434\u0438\u043d\u0430 \u041c. \u0410. \u0418\u043a\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f “\u0441\u0443\u0440\u043e\u0432\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f” \u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0440\u0430\u0431\u043e\u0442\u044b \u0421. \u0415. \u041e\u0440\u043b\u043e\u0432\u0430 “\u041f\u043e\u0445\u043e\u0440\u043e\u043d\u044b \u0412\u0430\u043d\u0435\u0435\u0432\u0430”. \u041d\u0430\u0443\u0447\u043d\u044b\u0435 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u0438\u0435 \u0440\u0430\u0431\u043e\u0442\u044b \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442\u043e\u0432 \u0438 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u043e\u0432 \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442\u0430. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442, 2007. 120 c.          <\/p>\n\n\n\n

7.           \u0411\u043e\u0440\u043e\u0434\u0438\u043d\u0430 \u041c. \u0410. \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u044c: \u0441\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u0438\u0435 \u0438 \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u043d\u0438\u044f \u0436\u0430\u043d\u0440\u0430. \u041c\u043e\u043b\u043e\u0434\u0435\u0436\u044c \u0438 \u043d\u0430\u0443\u043a\u0430 – \u0442\u0440\u0435\u0442\u044c\u0435 \u0442\u044b\u0441\u044f\u0447\u0435\u043b\u0435\u0442\u0438\u0435: \u0421\u0431. \u041c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432 \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u043d\u0430\u0443\u0447\u043d\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u043e\u0432, \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442\u043e\u0432 \u0438 \u043c\u043e\u043b\u043e\u0434\u044b\u0445 \u0443\u0447\u0435\u043d\u044b\u0445. I \u0447\u0430\u0441\u0442\u044c. \u0421\u043e\u0441\u0442. \u0421\u0443\u0432\u0435\u0439\u0434\u0430 \u0412.\u0412. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, \u041a\u0420\u041e \u041d\u0421 “\u0418\u043d\u0442\u0435\u0433\u0440\u0430\u0446\u0438\u044f”, 2007. 508 c.           <\/p>\n\n\n\n

8.           \u0411\u043e\u0440\u043e\u0434\u0438\u043d\u0430 \u041c. \u0410. \u041b\u0435\u043d\u0438\u043d\u0438\u0430\u043d\u0430 \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u0441\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0445 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u043e\u0432 \u0425\u0425 \u0432\u0435\u043a\u0430 (\u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439 \u0436\u0438\u0432 \u043e\u043f\u0438\u0441\u0438 \u0438 \u0433\u0440\u0430\u0444\u0438\u043a\u0438 \u0438\u0437 \u0444\u043e\u043d\u0434\u043e\u0432 \u043c\u0443\u0437\u0435\u044f-\u0437\u0430\u043f\u043e\u0432\u0435\u0434\u043d\u0438\u043a\u0430 “\u0428\u0443\u0448\u0435\u043d\u0441\u043a\u043e\u0435”). \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0433\u043b\u0430\u0437\u0430\u043c\u0438 \u043c\u043e\u043b\u043e\u0434\u044b\u0445: \u041c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044b XI \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0439 \u043d\u0430\u0443\u0447\u043d\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438. \u0420\u0435\u0434. \u041d. \u0412. \u041f\u0435\u0440\u0435\u043f\u0438\u0447, \u041c. \u0412. \u0421\u0430\u0431\u043b\u0438\u043d\u0430. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, \u0421\u0413\u0418\u0418 \u0438\u043c\u0435\u043d\u0438 \u0414. \u0425\u0432\u043e\u0440\u043e\u0441\u0442\u043e\u0432\u0441\u043a\u043e\u0433\u043e, 2019. 292 c.  EDN: URBMJE<\/p>\n\n\n\n

9.           \u0411\u043e\u0440\u043e\u0434\u0438\u043d\u0430 \u041c. \u0410. \u0420\u043e\u043b\u044c \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0436\u0430\u043d\u0440\u0430 \u0432 \u0441\u0438\u0441\u0442\u0435\u043c\u0435 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b. \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0420\u043e\u0441\u0441\u0438\u0438 \u0432\u0447\u0435\u0440\u0430, \u0441\u0435\u0433\u043e\u0434\u043d\u044f, \u0437\u0430\u0432\u0442\u0440\u0430: \u0420\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u0430\u0441\u043f\u0435\u043a\u0442. \u041c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044b \u0412\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 (\u0441 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u043c \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043c) \u043d\u0430\u0443\u0447\u043d\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438. \u041e\u0442\u0432. \u0440\u0435\u0434. \u041d. \u0410. \u0415\u043b\u043e\u0432\u0441\u043a\u0430\u044f. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432 2017. 340 c.  EDN: YXFWYZ    <\/p>\n\n\n\n

10.         \u0411\u044b\u0447\u043a\u043e\u0432 \u0412. \u0412. \u0418\u043a\u043e\u043d\u0430 \u0438 \u0440\u0443\u0441\u0441\u043a\u0438\u0439 \u0430\u0432\u0430\u043d\u0433\u0430\u0440\u0434 \u043d\u0430\u0447\u0430\u043b\u0430 XX \u0432\u0435\u043a\u0430 \/\/ \u041a\u043e\u0440\u043d\u0435\u0432\u0438\u0449\u0435 \u041e\u0411. \u041a\u043d\u0438\u0433\u0430 \u043d\u0435\u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438. \u041c., \u0418\u0424 \u0420\u0410\u041d, 1998. C. 58-75.        <\/p>\n\n\n\n

11.         \u0414\u043c\u0438\u0442\u0440\u0438\u0435\u0432\u0430 \u041d. \u0410. \u041a \u0432\u043e\u043f\u0440\u043e\u0441\u0443 \u043e \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0441\u0442\u0438\u043b\u0435 \u0432 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u0438. \u0422\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e. 1958. \u2116 6. C. 9-12.     <\/p>\n\n\n\n

12.         \u0416\u0443\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0412. \u0418., \u041a\u043e\u043f\u0446\u0435\u0432\u0430 \u041d. \u041f., \u041f\u0438\u0432\u043e\u0432\u0430\u0440\u043e\u0432 \u0414. \u0412., \u0412\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0441\u0443\u0449\u043d\u043e\u0441\u0442\u044c \u0440\u0435\u043b\u0438\u0433\u0438\u0438: \u041c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440. \u0433\u043e\u0441. \u0443\u043d-\u0442, 2006. 461 c.  EDN: QUAYFJ              <\/p>\n\n\n\n

13.         \u041a\u0430\u043c\u0435\u043d\u0441\u043a\u0438\u0439 \u0410. \u0410. \u0420\u043e\u043c\u0430\u043d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043c\u043e\u043d\u0442\u0430\u0436. \u041c., \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a, 1989. 344 c.          <\/p>\n\n\n\n

14.         \u041a\u043e\u0437\u043e\u0440\u0435\u0437\u0435\u043d\u043a\u043e \u041f. \u041f., \u041e\u0440\u043b\u043e\u0432 \u0418. \u0418. \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0438 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0439 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u0438 “\u0441\u0443\u0440\u043e\u0432\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f”. \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0439 \u0436\u0443\u0440\u043d\u0430\u043b \u044d\u043a\u0441\u043f\u0435\u0440\u0438\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f \u2116 2, 2020. C.15-19. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/expeducation.ru\/en\/article\/view?id=11949&.  EDN: LSOARE <\/p>\n\n\n\n

15.         \u041b\u043e\u043c\u0430\u043d\u043e\u0432\u0430 \u0422. \u041c. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0430. XX \u0432\u0435\u043a. \u0416\u0438\u0432\u043e\u043f\u0438\u0441\u044c. \u0413\u0440\u0430\u0444\u0438\u043a\u0430. \u0421\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u0430. \u0414\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e-\u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, 2013. 356 c.  EDN: UVHDGR           <\/p>\n\n\n\n

16.         \u041b\u043e\u043c\u0430\u043d\u043e\u0432\u0430 \u0422. \u041c. \u0421. \u0415. \u041e\u0440\u043b\u043e\u0432. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, \u0431.\u0433.            <\/p>\n\n\n\n

17.         \u041c\u043e\u0447\u0430\u043b\u043e\u0432 \u041b. \u0412. \u0420\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u0436\u0430\u043d\u0440\u043e\u0432 \u0432 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0439 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u0438. \u041b., \u0417\u043d\u0430\u043d\u0438\u0435 \u0420\u0421\u0424\u0421\u0420, 1979. 32 \u0441.       <\/p>\n\n\n\n

18.         \u041c\u043e\u0440\u043e\u0437\u043e\u0432 \u0410. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0434\u0443\u0445\u043e\u0432\u043d\u043e\u0439 \u0436\u0438\u0437\u043d\u0438 \/\/ \u0422\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e. 1988. \u2116 8 (380).           <\/p>\n\n\n\n

19.         \u041d\u043e\u0440\u0434\u0448\u0442\u0435\u0439\u043d \u0422. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0421\u0438\u0431\u0438\u0440\u0438 \u0438 \u0414\u0430\u043b\u044c\u043d\u0435\u0433\u043e \u0412\u043e\u0441\u0442\u043e\u043a\u0430. \u0410\u043b\u044c\u0431\u043e\u043c. \u041b., 1984.<\/p>\n\n\n\n

20.         \u041e\u0440\u043b\u043e\u0432\u0430 \u041c. \u0418\u0441\u0442\u043e\u0440\u0438\u043a\u043e-\u0440\u0435\u0432\u043e\u043b\u044e\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u0442\u0435\u043c\u0430 \u0432 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u043c \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435. \u041c., 1964.  <\/p>\n\n\n\n

21.         \u0420\u0443\u0441\u0430\u043a\u043e\u0432 \u042d. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0432\u0435\u0434 – \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u0438\u044f \u0440\u0438\u0441\u043a\u043e\u0432\u0430\u043d\u043d\u0430\u044f \/ \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0438\u0439 \u0440\u0430\u0431\u043e\u0447\u0438\u0439. 2002, 13 \u0441\u0435\u043d\u0442\u044f\u0431\u0440\u044f. <\/p>\n\n\n\n

22.         \u0421\u0438\u0437\u043e\u043d\u0435\u043d\u043a\u043e \u0410.\u0418. \u0421\u0421\u0421\u0420 – \u041c\u0435\u043a\u0441\u0438\u043a\u0430: \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0435 \u0438 \u043d\u0430\u0443\u0447\u043d\u044b\u0435 \u0441\u0432\u044f\u0437\u0438 \/ \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u041c\u0435\u043a\u0441\u0438\u043a\u0438. \u0421\u0431\u043e\u0440\u043d\u0438\u043a \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/www.indiansworld.org\/Mexico\/mexico_culture14.html#.ZF36ayz-q_Y.            <\/p>\n\n\n\n

23.         \u0421\u0442\u0435\u043f\u0430\u043d \u0415\u0433\u043e\u0440\u043e\u0432\u0438\u0447 \u041e\u0440\u043b\u043e\u0432: \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u044c. \u0420\u0438\u0441\u0443\u043d\u043e\u043a. \u0421\u0431\u043e\u0440\u043d\u0438\u043a. \u0410\u0432\u0442.-\u0441\u043e\u0441\u0442. \u0410. \u041d. \u041e\u0440\u043b\u043e\u0432\u0430, \u041b. \u041c. \u0417\u0430\u043f\u044f\u0442\u0430\u044f. \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433, \u0420\u0443\u0441\u0441\u043a\u0430\u044f \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u044f, 240 \u0441.         <\/p>\n\n\n\n

24.         \u0421\u0443\u0434\u044c\u0431\u0430 \u0434\u0430\u043b\u0430 \u043c\u043d\u0435 \u0448\u0430\u043d\u0441, \u0431\u0435\u0441\u0435\u0434\u0430 \u0441 \u0424. \u041c \u0411\u0443\u0440\u043b\u0430\u0446\u043a\u0438\u043c. \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0438\u0439 \u0430\u0434\u0432\u043e\u043a\u0430\u0442. \u2116 5, 2007. \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0430: https:\/\/web.archive.org\/web\/20130823004817\/http:\/\/gra.rosadv.ru\/magazine.php?m=60&a=3.      <\/p>\n\n\n\n

25.         \u0423\u0441\u043f\u0435\u043d\u0441\u043a\u0438\u0439 \u041b. \u0410. \u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u0435 \u0438\u043a\u043e\u043d\u044b \u043f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u043e\u0439 \u0446\u0435\u0440\u043a\u0432\u0438. \u041c., \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u043f\u0430\u0442\u0440\u0438\u0430\u0440\u0445\u0430\u0442, 1989. 474 \u0441.         <\/p>\n\n\n\n

26.         \u0424\u0435\u0434\u043e\u0440\u043e\u0432-\u0414\u0430\u0432\u044b\u0434\u043e\u0432 \u0410. \u041f\u0440\u0438\u0440\u043e\u0434\u0430 \u0441\u0442\u0438\u043b\u044f \/\/ \u0420\u0443\u0441\u0441\u043a\u043e\u0435 \u0438 \u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e. \u0421\u0442\u0430\u0442\u044c\u0438 \u0438 \u043e\u0447\u0435\u0440\u043a\u0438. \u041c., 1975.    <\/p>\n\n\n\n

27.         \u0424\u043b\u043e\u0440\u0435\u043d\u0441\u043a\u0438\u0439 \u041f. \u0410. \u0418\u043a\u043e\u043d\u043e\u0441\u0442\u0430\u0441. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u0442\u0440\u0443\u0434\u044b \u043f\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0443. \u0421\u041f\u0431, \u041c\u0418\u0424\u0420\u0418\u041b “\u0420\u0443\u0441\u0441\u043a\u0430\u044f \u043a\u043d\u0438\u0433\u0430”, 1993. 365 c.<\/p>\n\n\n\n

28.         \u0424\u043b\u043e\u0440\u0435\u043d\u0441\u043a\u0438\u0439 \u041f. \u0410. \u0423 \u0432\u043e\u0434\u043e\u0440\u0430\u0437\u0434\u0435\u043b\u043e\u0432 \u043c\u044b\u0441\u043b\u0438 \/\/ \u0421\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u044f \u0432 2 \u0442. \u0422. 2. \u041c., \u041f\u0440\u0430\u0432\u0434\u0430, 1990. 448 c.<\/p>\n<\/details>\n\n\n\n

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\u0423\u0414\u041a  7.044 RELIGIOUS PROBLEMS IN THE HISTORICAL-REVOLUTIONARY WORKS OF THE \u00abSEVERE STYLE\u00bb Mariana A. Borodina Siberian Federal University, Krasnoyarsk, Russia Abstract. The article considers revolutionary themes as a special case of the historical genre in the Soviet fine arts of the 60-80s, representing not only the concrete historical nature of social values, but also a … Read more<\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=7404","footnotes":""},"wf_page_folders":[319],"class_list":["post-7406","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=7406"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7406\/revisions"}],"predecessor-version":[{"id":7407,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7406\/revisions\/7407"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=7406"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=7406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}