{"id":7357,"date":"2026-03-31T09:53:47","date_gmt":"2026-03-31T06:53:47","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=7357"},"modified":"2026-03-31T09:53:49","modified_gmt":"2026-03-31T06:53:49","slug":"nae-285","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/nae-285\/","title":{"rendered":"A KANTIAN APPROACH TO THE AESTHETIC REPRESENTATION OF THE INDIGENOUS SMALL-NUMBERED PEOPLES OF THE NORTH, SIBERIA AND THE FAR EAST: REVISITING LOCAL COLOR"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0423\u0414\u041a 130.2<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A KANTIAN APPROACH TO THE AESTHETIC REPRESENTATION OF THE INDIGENOUS SMALL-NUMBERED PEOPLES OF THE NORTH, SIBERIA AND THE FAR EAST: REVISITING LOCAL COLOR<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Konstantin V. Azarov<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rheinische Friedrich-Wilhelms-Universit\u00e4t Bonn, Germany<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract<\/strong>. Local color is about shades, rather than colors, accents, rather than mutually unintelligible languages, about new forming identities rather than well established ones. There has been no attempt to create a Kantian approach to local color. Moreover, the conception of local color receives little academic attention in general, despite the fact that the aesthetics of local color plays an important role in art and literature of the indigenous small-numbered peoples of the North, Siberia and the Far East. The article methodologically relies on Kantian philosophical anthropology and transcendental philosophy to present the aesthetics of local color as a phenomenological field of interconnected problems, to formulate ways of solving these problems and to find a method to detect and ethically evaluate implicit local color elements in a range of artistic activities. The article shows how local color is important to the building of identities and the Kantian approach to local color mitigates against the risks associated with collective subjectivity: like chauvinism, ethnic stereotypes, provincialism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Key words:<\/strong> local color, Kantian anthropology, indigenous peoples, chauvinism, stereotype, provincialism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>For citation: <\/strong>Azarov, K. V. A Kantian approach to the aesthetic representation of the indigenous small-numbered peoples of the North, Siberia and the Far East: revisiting local color \/ K. V. Azarov \/\/ Northern Archives and Expeditions. \u2013 2023. \u2013 Vol. 7, No. 1. \u2013 P. 142-148. \u2013 EDN ZINGZP.<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>References<\/strong><\/summary>\n<p class=\"wp-block-paragraph\">1. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#8220;Local color&#8221; \/\/ The Concise Oxford Companion to American Literature, (ed) James D. Hart, Oxford: Oxford University Press, 1986.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0410\u0432\u0434\u0435\u0435\u0432\u0430 \u042e., \u0414\u0435\u0433\u0442\u044f\u0440\u0435\u043d\u043a\u043e \u041a. \u0412\u0438\u0437\u0443\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u044f \u043e\u0431\u0440\u0430\u0437\u043e\u0432 \u043a\u0435\u0442\u043e\u0432 \u043a\u0430\u043a \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0430\u044f \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2021. \u0421. 5. (2), \u0441\u0442\u0440. 16-21.&nbsp; EDN: KUMWWQ&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0417\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u0435\u0432\u0430 \u042e. \u041a\u0430\u043d\u0442\u0438\u0430\u043d\u0441\u043a\u0438\u0435 &#8220;\u043e\u0442\u0433\u043e\u043b\u043e\u0441\u043a\u0438&#8221; \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0427\u0435\u043b\u044f\u0431\u0438\u043d\u0441\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430, 2012, 4 (258), 98-100.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041a\u0438\u0441\u0442\u043e\u0432\u0430 \u0410., \u041f\u0438\u043c\u0435\u043d\u043e\u0432\u0430 \u041d., \u0411\u0443\u043a\u043e\u0432\u0430 \u041c. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0435 \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e-\u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u044d\u0432\u0435\u043d\u043a\u043e\u0432: \u043a\u043e\u0440\u0435\u043d\u043d\u044b\u0435 \u043d\u0430\u0440\u043e\u0434\u044b \u0441\u0438\u0431\u0438\u0440\u0441\u043a\u043e\u0439 \u0410\u0440\u043a\u0442\u0438\u043a\u0438 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2018. \u0422. 2(1). \u0421. 49-56.&nbsp; EDN: YVGAOE&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041a\u043e\u043c\u043b\u0435\u0432\u0430 \u0415. &#8220;\u0412\u043e\u0442 \u043e\u043d\u0430, \u0442\u0443\u0440\u0443\u0445\u0430\u043d\u0441\u043a\u0430\u044f \u0436\u0438\u0437\u043d\u044c\u2026&#8221;: \u043f\u0438\u0441\u044c\u043c\u043e \u0410. \u0412. \u0421\u043a\u043e\u0440\u043d\u044f\u043a\u043e\u0432\u0430 \u0438\u0437 \u0422\u0443\u0440\u0443\u0445\u0430\u043d\u0441\u043a\u0430 (1887-1888) (1887-1888)] \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438, 2018, 2(1), \u0441. 6-20.&nbsp; EDN: YVGAND&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041a\u043e\u0441\u0442\u0440\u044b\u043a\u0438\u043d\u0430 \u041d. \u0422\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u043a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u043e\u0433\u043e \u043a\u0438\u043d\u043e\u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u0438\u0441\u0442\u0430 \u0418. \u0417\u0430\u0439\u0446\u0435\u0432\u043e\u0439 \u043a\u0430\u043a \u044f\u0432\u043b\u0435\u043d\u0438\u0435 \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0410\u0440\u0445\u0438\u0432\u044b \u0438 \u042d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2021. \u0422. 5(2). \u0421. 113-112.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041f\u0447\u0435\u043b\u043a\u0438\u043d\u0430 \u0414. \u0421. \u041a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0439 \u043f\u043e\u0442\u0435\u043d\u0446\u0438\u0430\u043b \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \u043a\u0430\u043a \u0444\u043e\u0440\u043c\u044b \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u043e\u044f\u0432\u043b\u0435\u043d\u0438\u044f \u043a\u043e\u0440\u0435\u043d\u043d\u044b\u0445 \u043d\u0430\u0440\u043e\u0434\u043e\u0432 \u0421\u0435\u0432\u0435\u0440\u0430 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438, 2021, 5(4), \u0441. 17-24.&nbsp; EDN: RXXXPI&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Allison H.E. Beauty and Duty in Kant&#8217;s Critique of Judgment \/\/ Kantian Review, 1997, 1(1), pp. 53-81.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Crowther P. The Kantian Sublime: From Morality to Art, Oxford: Clarendon Press, 1989.&nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kant I. Critique of the Power of Judgment, trans. Paul Guyer and Eric Matthews, Cambridge: Cambridge University Press, 2000.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kant I. Idea for a Universal History with a Cosmopolitan Aim&#8217; in Kant&#8217;s Idea for a Universal History with a Cosmopolitan Aim: A Critical Guide, (eds) Am\u00e9lie O. Rorty and James Schmidt, Cambridge and New York: Cambridge University Press, 2009.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kapor V. Local colour revisited: an essay in conceptual genealogy \/\/ Postcolonial Studies, 2008, 11 (1), 39-61.&nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kikuchi Y. Refracted Colonial Modernity: Vernacularism in the Development of Modern Taiwanese Crafs \/\/ Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, (ed) Yuko Kikuchi, 2007, pp. 217-247.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">14. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kuplen M. The Sublime, Ugliness and Contemporary Art: A Kantian Perspective \/\/ Con-Textos Kantianos: International Journal of Philosophy, 2015, 1, pp. 113-139.&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">15. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kwon M. One Place After Another: Site-Specific Art and Locational Identity, London and Cambridge: MIT Press, 2002.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">16. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Merleau-Ponty M. Phenomenology of Perception, (tr) Colin Smith, London and New York: Routledge, 2005.&nbsp; &nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Said E. Orientalism. London: Penguin, 1977.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">18. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Vaskes H. True creativity is order: Interview with philosopher Slavoj \u017di\u017eek \/\/ L\u00fcrzer&#8217;s Archive, 2018, 2. URL: https:\/\/www.luerzersarchive.com\/en\/magazine\/interview\/slavoj-iek-181.html.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.elibrary.ru\/item.asp?id=50356768\" target=\"_blank\" rel=\"noopener\">Get access to the full version of this article<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0423\u0414\u041a 130.2 A KANTIAN APPROACH TO THE AESTHETIC REPRESENTATION OF THE INDIGENOUS SMALL-NUMBERED PEOPLES OF THE NORTH, SIBERIA AND THE FAR EAST: REVISITING LOCAL COLOR Konstantin V. Azarov Rheinische Friedrich-Wilhelms-Universit\u00e4t Bonn, Germany Abstract. Local color is about shades, rather than colors, accents, rather than mutually unintelligible languages, about new forming identities rather than well established &#8230; <a title=\"A KANTIAN APPROACH TO THE AESTHETIC REPRESENTATION OF THE INDIGENOUS SMALL-NUMBERED PEOPLES OF THE NORTH, SIBERIA AND THE FAR EAST: REVISITING LOCAL COLOR\" class=\"read-more\" href=\"http:\/\/intelsiberia.ru\/en\/nae-285\/\" aria-label=\"Read more about A KANTIAN APPROACH TO THE AESTHETIC REPRESENTATION OF THE INDIGENOUS SMALL-NUMBERED PEOPLES OF THE NORTH, SIBERIA AND THE FAR EAST: REVISITING LOCAL COLOR\">Read more<\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=7355","footnotes":""},"wf_page_folders":[319],"class_list":["post-7357","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=7357"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7357\/revisions"}],"predecessor-version":[{"id":7358,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7357\/revisions\/7358"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=7357"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=7357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}