{"id":7035,"date":"2026-03-16T09:20:55","date_gmt":"2026-03-16T06:20:55","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=7035"},"modified":"2026-03-16T09:20:57","modified_gmt":"2026-03-16T06:20:57","slug":"dig-52","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/dig-52\/","title":{"rendered":"REVIEW OF THE ARTICLE \u00abTHE DIGITALLY PRESERVED OLD-AGED ART, CULTURE AND ARTISTS: AN EXPLORATION OF GOOGLE ARTS AND CULTURE\u00bb BY A. W. SHOWKAT, A. ASIFA, S. A. GANAIE (PSU RESEARCH REVIEW, 2019)"},"content":{"rendered":"\n
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\u0423\u0414\u041a 7.067
doi:10.21202\/1993-047X.14.2020.2.235-248<\/p>\n<\/div>\n<\/div>\n\n\n\n

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REVIEW OF THE ARTICLE \u00abTHE DIGITALLY PRESERVED OLD-AGED ART, CULTURE AND ARTISTS: AN EXPLORATION OF GOOGLE ARTS AND CULTURE\u00bb BY A. W. SHOWKAT, A. ASIFA, S. A. GANAIE (PSU RESEARCH REVIEW, 2019)<\/strong><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Olga \u0410. Temnikova<\/strong><\/strong><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Siberian Federal University, Krasnoyarsk, Russia
temnikova.oa@ya.ru<\/a>, orcid.org\/0000-0002-8946-1318<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Abstract. <\/strong>Today, it is digital technologies that shape the social structure and economy. The system of information and communication technologies has allowed communication to reach its highest peak. The authors of the article consider objects from the pre-digital era – handwritten or typewritten texts – as historical artifacts. Interest in this topic is connected with the problem of understanding the selection criteria, which is acute for cultural institutions responsible for the preservation of cultural heritage. Also of particular importance is the attention to the policy of preserving this heritage already in digital format. <\/p>\n\n\n\n

Digital platforms have changed the way audiences interact with the museum collection, making the work more accessible and allowing communities to build around the exhibits. One of the online platforms for the representation of cultural heritage is Google Art and Culture. It is a platform that stores and presents the most significant works of art. This article is devoted to the analysis of her work. The study tried to show that digital technologies have a significant impact on the preservation of world art and culture.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Keywords:<\/strong> digital representation, cultural heritage, art, Google Art and Culture, digital platforms<\/p>\n<\/div>\n<\/div>\n\n\n\n

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For citation: <\/strong>Temnikova O. A. Review on the article \u00abThe digitally preserved old-aged art, culture and artists: an exploration of google arts and culture\u00bb by A. W. Showkat, A. Asifa, S. A. Ganaie (PSU Research review, 2019) \/\/ Digitalization. 2022, 3 (2), pp. 109\u2014116. [in Russian]. https:\/\/doi.org\/10.37993\/2712-8733-2022-3-2-109-116. EDN: OIQSCS<\/p>\n\n\n\t\t

\n\t\t\t\n\t\t\t\t<\/path><\/path><\/svg>\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\tReferences<\/strong><\/summary>\n

1.       \u0410\u0432\u0434\u0435\u0435\u0432\u0430 \u042e. \u041d. \u0438 \u0434\u0440. \u0421\u0438\u043c\u0432\u043e\u043b\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u044d\u043a\u043e\u043b\u043e\u0433\u0438\u044f \u043a\u0430\u043a \u0438\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0439 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0430 \/\/\u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2019. \u0422. 3. \u2116. 3. \u0421. 8-23.  EDN: BPSBRF         <\/p>\n\n\n\n

2.       \u0410\u043d\u0434\u0440\u044e\u0448\u0438\u043d\u0430 \u042f. \u0414., \u0412\u0435\u0440\u0445\u043e\u0442\u0443\u0440\u043e\u0432\u0430 \u041d. \u0412., \u041b\u0438\u0441\u0430\u0432\u0438\u043d\u0430 \u0415. \u041f. \u0412\u043b\u0438\u044f\u043d\u0438\u0435 \u043f\u0430\u0431\u043b\u0438\u043a-\u0430\u0440\u0442\u0430 \u043d\u0430 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0435 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e (\u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0433. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0430) \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 8-23.  DOI: 10.37993\/2712-8733-2022-3-1-8-23  EDN: FNCXGE        <\/p>\n\n\n\n

3.       \u0411\u0430\u0443\u044d\u0440 \u0413. \u0412. \u0412\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0441\u0430\u043c\u043e\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f \u0432 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0435\u0442\u0438 “\u0412\u041a\u043e\u043d\u0442\u0430\u043a\u0442\u0435” \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 24-40.  DOI: 10.37993\/2712-8733-2022-3-1-24-40  EDN: GKBFDC  <\/p>\n\n\n\n

4.       \u0414\u0435\u043d\u0438\u0441\u043e\u0432\u0430 \u041c. \u0410., \u0418\u0433\u043d\u0430\u0442\u0435\u043d\u043a\u043e \u0421. \u0410., \u0421\u043e\u0440\u043e\u043a\u0438\u043d\u0430 \u0410. \u0415. \u0420\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f \u043e\u0431\u0440\u0430\u0437\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0432 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0445 \u0441\u0435\u0442\u044f\u0445 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 4. \u0421. 33-40.  DOI: 10.37993\/2712-8733-2021-2-4-33  EDN: JHKKHP       <\/p>\n\n\n\n

5.       \u0417\u0430\u043c\u0430\u0440\u0430\u0435\u0432\u0430 \u042e. \u0421. \u0410\u043d\u0430\u043b\u0438\u0437 \u043f\u043e\u043d\u044f\u0442\u0438\u044f “\u0433\u043b\u043e\u0431\u0430\u043b\u044c\u043d\u044b\u0435 \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0438”. \u0412\u043e\u0437\u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0435 \u0433\u043b\u043e\u0431\u0430\u043b\u044c\u043d\u044b\u0445 \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0439 \u043d\u0430 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0443 \u0438 \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u044c (\u0442\u0435\u043e\u0440\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435) \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 1. \u0421. 27-40.  DOI: 10.37993\/2712-8733-2021-2-1-27  EDN: XEAVNH <\/p>\n\n\n\n

6.       \u0418\u043d\u0442\u0435\u0440\u043d\u0435\u0442-\u043f\u043b\u0430\u0442\u0444\u043e\u0440\u043c\u0430 “\u0413\u0443\u0433\u043b \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430”. URL: https:\/\/artsandculture.google.com (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 23.03.2022).     <\/p>\n\n\n\n

7.       \u041a\u043e\u0437\u043b\u043e\u0432 \u0415. \u0421., \u0421\u0435\u0440\u0442\u0430\u043a\u043e\u0432\u0430 \u0415. \u0410. \u041e\u0431\u0440\u0430\u0437 “\u041a\u043e\u0441\u043c\u043e\u0441\u0430” \u0432 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f\u0445 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0430\u0443\u0434\u0438\u043e\u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2(2). \u0421. 44-50.  EDN: UXJPPV       <\/p>\n\n\n\n

8.       \u041a\u043e\u043b\u0435\u0441\u043d\u0438\u043a \u041c. \u0410. \u0424\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0438\u0435 \u0430\u0441\u043f\u0435\u043a\u0442\u044b \u043f\u043e\u043d\u044f\u0442\u0438\u044f” \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0430\u044f \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u044c” \/\/\u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2018. \u0422. 2. \u2116. 2. \u0421. 22-33.  EDN: XVLYHZ      <\/p>\n\n\n\n

9.       \u041a\u043e\u043b\u0435\u0441\u043d\u0438\u043a \u041c. \u0410., \u041b\u0435\u0449\u0438\u043d\u0441\u043a\u0430\u044f \u041d. \u041c., \u0421\u0435\u0440\u0433\u0435\u0435\u0432\u0430 \u041d. \u0410. \u0414\u0430\u0439\u0434\u0436\u0435\u0441\u0442 \u043d\u043e\u0432\u043e\u0441\u0442\u0435\u0439 \u0432 \u0441\u0444\u0435\u0440\u0435 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. 2022. \u0422. 3. \u2116 1. \u0421. 18-28.  DOI: 10.31804\/2712-939X-2022-3-1-18-28  EDN: AKUVFE <\/p>\n\n\n\n

10.     \u041a\u043e\u043f\u0446\u0435\u0432\u0430 \u041d. \u041f. \u0412\u043e\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442\u0438 BIM (Building Information Modeling)-\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0439 \u0434\u043b\u044f \u0438\u043d\u043d\u043e\u0432\u0430\u0446\u0438\u043e\u043d\u043d\u043e\u0433\u043e \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2. \u0421. 8-24.  DOI: 10.37993\/2712-8733-2021-2-2-8-24  EDN: GIRJCD   <\/p>\n\n\n\n

11.     \u041a\u043e\u043f\u0446\u0435\u0432\u0430 \u041d. \u041f. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u0432 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u0441\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430: \u0431\u0430\u0437\u043e\u0432\u044b\u0435 \u043f\u043e\u0434\u0445\u043e\u0434\u044b. \u0427\u0430\u0441\u0442\u044c 2 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. 2022. \u0422. 3. \u2116 1. \u0421. 7-17.  DOI: 10.31804\/2712-939X-2022-3-1-7-17  EDN: WGOMRJ   <\/p>\n\n\n\n

12.     \u041b\u0435\u0441\u043d\u0438\u0447\u0438\u0445 \u0410. \u0410. \u0426\u0438\u0444\u0440\u043e\u0432\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e: \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0438 \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 41-51.  DOI: 10.37993\/2712-8733-2022-3-1-41-5  EDN: VFXERO    <\/p>\n\n\n\n

13.     \u041c\u0443\u043a\u043e\u0432\u043d\u0438\u043d\u0430 \u0410. \u042f. \u0420\u0435\u0446\u0435\u043d\u0437\u0438\u044f \u043d\u0430 \u0441\u0442\u0430\u0442\u044c\u044e A. Acerbi “Cognitive attraction and online misinformation” \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2. \u0421. 59-64.  DOI: 10.37993\/2712-8733-2021-2-2-59-64  EDN: XEIIXR   <\/p>\n\n\n\n

14.     \u041c\u044f\u0441\u043e\u0443\u0442\u043e\u0432 \u041e. \u0412. “Homo Internetus”: \u043c\u043e\u043b\u043e\u0434\u0435\u0436\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u043d\u043e\u0432\u043e\u0439 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2022. \u2116 1 (3). \u0421. 38-45.  DOI: 10.31804\/2542-1816-2022-6-1-38-45  EDN: CBYLAC  <\/p>\n\n\n\n

15.     \u041f\u0430\u0448\u043e\u0432\u0430 \u042d. \u0412. \u0414\u0435\u043c\u043e\u043d\u0441\u0442\u0440\u0430\u0446\u0438\u044f \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0445 \u043c\u043e\u0434\u0435\u043b\u0435\u0439 \u043f\u043e\u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043e\u043c \u043f\u0443\u0442\u0438 \u0430\u0440\u0445\u0435\u0442\u0438\u043f\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0433\u0435\u0440\u043e\u044f (\u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0435 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u043f\u043e\u043b\u043d\u043e\u043c\u0435\u0442\u0440\u0430\u0436\u043d\u044b\u0445 \u0430\u043d\u0438\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u044b\u0445 \u0444\u0438\u043b\u044c\u043c\u043e\u0432 “\u0425\u043e\u043b\u043e\u0434\u043d\u043e\u0435 \u0441\u0435\u0440\u0434\u0446\u0435” \u0438 “\u0425\u043e\u043b\u043e\u0434\u043d\u043e\u0435 \u0441\u0435\u0440\u0434\u0446\u0435 II”) \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2020. \u0422. 4. \u2116 3 (09). \u0421. 106-117.  DOI: 10.31804\/2542-1816-2020-4-3-106-117  EDN: MFTERO         <\/p>\n\n\n\n

16.     \u041f\u0430\u0448\u043e\u0432\u0430 \u042d. \u0412. “\u0421\u0443\u043f\u0435\u0440\u0431\u043e\u0433\u0438”: \u043a\u0430\u043a \u0441\u043e\u0437\u0434\u0430\u0442\u0435\u043b\u0438 \u043a\u043e\u043c\u0438\u043a\u0441\u043e\u0432 \u043e\u0441\u043c\u044b\u0441\u043b\u044f\u044e\u0442 \u0430\u0440\u0445\u0435\u0442\u0438\u043f\u044b \u0441\u0443\u043f\u0435\u0440\u0433\u0435\u0440\u043e\u0435\u0432 \/\/\u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0410\u0440\u0445\u0438\u0432\u044b \u0438 \u042d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2020. \u0422. 4. \u2116. 3. \u0421. 100.  EDN: LFNHAG<\/p>\n\n\n\n

17.     \u041f\u0438\u043a\u043e\u0432 \u041d. \u041e. \u0412\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c (VR) \u0438 \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u0438\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2022. \u2116 1 (3). \u0421. 58-68.  DOI: 10.31804\/2542-1816-2022-6-1-58-6  EDN: RWCLEM  <\/p>\n\n\n\n

18.     \u041f\u0438\u043a\u043e\u0432 \u041d. \u041e. \u0412 \u041a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2022. \u0422. 6. \u2116 1. \u0421. 65-77.  DOI: 10.31806\/2542-1158-2022-6-1-65-77  EDN: TFLDUR       <\/p>\n\n\n\n

19.     \u041f\u0438\u043a\u043e\u0432 \u041d. \u041e. \u0420\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f: \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0435 \u043f\u043e\u0434\u0445\u043e\u0434\u044b \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2022. \u0422. 6. \u2116 1. \u0421. 174-186.  DOI: 10.31806\/2542-1158-2022-6-1-174-186  EDN: XYUVSB   <\/p>\n\n\n\n

20.     \u0420\u0435\u0437\u043d\u0438\u043a\u043e\u0432\u0430 \u041a. \u0412., \u0421\u0435\u0440\u0442\u0430\u043a\u043e\u0432\u0430 \u0415. \u0410., \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430 \u0410. \u0410. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442 \u0432 \u0410\u043c\u0435\u0440\u0438\u043a\u0430\u043d\u0441\u043a\u043e\u043c \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0435 \u043a\u043e\u043d\u0446\u0430 XX – \u043d\u0430\u0447\u0430\u043b\u0430 XXI \u0432\u0435\u043a\u043e\u0432 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. 2022. \u0422. 3. \u2116 1. \u0421. 42-49.  DOI: 10.31804\/2712-939X-2022-3-1-42-49  EDN: HZKFIC     <\/p>\n\n\n\n

21.     \u0421\u0435\u043b\u0438\u043d\u0430 \u0415. \u0415. \u0414\u0432\u0438\u0436\u0435\u043d\u0438\u0435 \u0432 \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043e\u0431\u0440\u0430\u0437\u0435 \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2022. \u2116 1 (3). \u0421. 103-110.  DOI: 10.31804\/2542-1816-2022-6-1-103-110  EDN: MMSVQS       <\/p>\n\n\n\n

22.     \u0421\u0435\u0440\u0435\u0434\u043a\u0438\u043d\u0430 \u041d. \u041d. \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f \u0438 \u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430: \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0439 \u0441\u0442\u0430\u0442\u0443\u0441 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2. \u0421. 25-34.  DOI: 10.37993\/2712-8733-2021-2-2-25-34  EDN: VVTKNU <\/p>\n\n\n\n

23.     \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430 \u0410. \u0410. \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438 \u0438 \u043e\u0431\u0440\u0430\u0437 \u0410\u0440\u043a\u0442\u0438\u043a\u0438 \u0432 \u0437\u0430\u0440\u0443\u0431\u0435\u0436\u043d\u043e\u0439 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u0438 XIX \u0432\u0435\u043a\u0430 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2022. \u0422. 6. \u2116 1. \u0421. 240-249.  DOI: 10.31806\/2542-1158-2022-6-1-240-249  EDN: KEPVYT     <\/p>\n\n\n\n

24.     \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430 \u0410. \u0410. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0435 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \u0444\u043e\u0440\u0441\u0430\u0439\u0442-\u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u0431\u0443\u0434\u0443\u0449\u0435\u0433\u043e \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e-\u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u0438\u0441\u0442\u0435\u043c, \u0432 \u0442\u043e\u043c \u0447\u0438\u0441\u043b\u0435 \u044d\u0442\u043d\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0445 \u0433\u0440\u0443\u043f\u043f \u0441\u0435\u0432\u0435\u0440\u043d\u044b\u0445 \u0440\u0435\u0433\u0438\u043e\u043d\u043e\u0432 \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u0424\u0435\u0434\u0435\u0440\u0430\u0446\u0438\u0438 \/\/\u0421\u043e\u0446\u0438\u043e\u0434\u0438\u043d\u0430\u043c\u0438\u043a\u0430. 2014. \u2116. 9. \u0421. 44-62.  EDN: SXPIFP         <\/p>\n\n\n\n

25.     \u0428\u0438\u0448\u043a\u043e\u0432\u0430 \u0415. \u0415. \u0418\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0441 \u043f\u043e\u043c\u043e\u0449\u044c\u044e \u0446\u0438\u0444\u0440\u043e\u0432\u044b\u0445 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0439 \u0438 \u0432\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 61-70.  DOI: 10.37993\/2712-8733-2022-3-1-61-70  EDN: SZGGGP      <\/p>\n\n\n\n

26.     \u0428\u043f\u0430\u043a \u0410. \u0410. \u0421\u043b\u043e\u0436\u043d\u044b\u0435 \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u0438: \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u0435 \u0444\u0435\u043d\u043e\u043c\u0435\u043d\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u043e\u043c \u0437\u043d\u0430\u043d\u0438\u0438 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. 2022. \u0422. 6. \u2116 1. \u0421. 10-16. 10.31806\/2542-1158- 2022-6-1-10-16.  DOI: 10.31806\/2542-1158-2022-6-1-10-16  EDN: SQNJYN         <\/p>\n\n\n\n

27.     \u0428\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430 \u0410. \u0410. \u0412\u043b\u0438\u044f\u043d\u0438\u0435 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0435\u0442\u0438 Instagram \u043d\u0430 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u0431\u0440\u0438\u0442\u0430\u043d\u0441\u043a\u043e\u0433\u043e \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0430 Kelly Beeman \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 52-60.  DOI: 10.37993\/2712-8733-2022-3-1-52-60  EDN: ECUVHE      <\/p>\n\n\n\n

28.     Fissi S., Gori E., Romolini A., Contri M. Facing Covid-19: the digitalization path of Opera di Santa Maria del Fiore in Florence \/\/ European Planning Studies. 2022. V. 30 (4). P. 573-589.<\/p>\n\n\n\n

29.     Mansfield E. C. Google Art Project and Digital Scholarship in the Visual Arts \/\/ Visual Resources. 2014. V. 30 (1). P. 110-117. URL: www.google.com\/culturalinstitute\/project\/art-project (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 23.03.2022).        <\/p>\n\n\n\n

30.     Semyonova A. A. The Concept “State” in Local Culture of Krasnoyarsk: The Results of an Associative Experiment Based on the Method “Series of Thematic Associations” \/\/Journal of Siberian Federal University. Humanities & Social Sciences. 2011. \u0422. 11. \u2116. 4. \u0421. 1526-1542.  EDN: OIYBRF    <\/p>\n\n\n\n

31.     Showkat A. W., Asifa A., Ganaie S. A. The digitally preserved old-aged art, culture and artists: An exploration of Google Arts and Culture \/\/ PSU Research Review. 2019. V. 3 (2). P. 111-122. URL: https:\/\/www.emerald.com\/insight\/content\/doi\/\/full\/pdf?title=the-digitally-preserved-old-aged-art-culture-and-artists-an-exploration-of-google-arts-and-culture (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 21.03.2022).  DOI: 10.1108\/PRR-08-2018-0026             <\/p>\n\n\n\n

32.     Shpak A. A., Pchelkina D. S. (2020). Methodology for the study of complex identity \/\/ Journal of Siberian Federal University. Humanities & Social Sciences. 2020, 13 (5), pp. 752-761.  DOI: 10.17516\/1997-1370-0604  EDN: KTREVV   <\/p>\n\n\n\n

33.     Vosinakis S., Tsakonas Y. Visitor experience in Google Art Project and in second life-based virtual museums: a comparative study \/\/ Mediterranean Archaeology & Archaeometry. 2016. V. 16 (5). P. 19-27. URL: http:\/\/www.maajournal.com\/Issues\/2016\/Vol16-5\/Full3.pdf (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 23.03.2022).<\/p>\n<\/details>\n\n\n\n

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\u0423\u0414\u041a 7.067doi:10.21202\/1993-047X.14.2020.2.235-248 REVIEW OF THE ARTICLE \u00abTHE DIGITALLY PRESERVED OLD-AGED ART, CULTURE AND ARTISTS: AN EXPLORATION OF GOOGLE ARTS AND CULTURE\u00bb BY A. W. SHOWKAT, A. ASIFA, S. A. GANAIE (PSU RESEARCH REVIEW, 2019) Olga \u0410. Temnikova Siberian Federal University, Krasnoyarsk, Russiatemnikova.oa@ya.ru, orcid.org\/0000-0002-8946-1318 Abstract. Today, it is digital technologies that shape the social structure and … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=7033","footnotes":""},"wf_page_folders":[289],"class_list":["post-7035","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=7035"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7035\/revisions"}],"predecessor-version":[{"id":7036,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/7035\/revisions\/7036"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=7035"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=7035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}