{"id":6576,"date":"2026-03-10T07:55:07","date_gmt":"2026-03-10T04:55:07","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=6576"},"modified":"2026-03-10T07:55:09","modified_gmt":"2026-03-10T04:55:09","slug":"sai-23","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/sai-23\/","title":{"rendered":"THE IMAGE OF ISLAM IN MODERN CINEMATOGRAPH"},"content":{"rendered":"\n
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\u0423\u0414\u041a 316.658.2<\/p>\n\n\n\n

THE IMAGE OF ISLAM IN MODERN CINEMATOGRAPH<\/strong><\/p>\n\n\n\n

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Alexander A. Bayursky1<\/sup>, Ilya A. Manakov<\/strong><\/strong>2<\/strong><\/sup><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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1<\/sup>Siberian Federal University, Krasnoyarsk, Russia.
albaurskey@gmail.com<\/a><\/p>\n\n\n\n

2<\/sup> Siberian Federal University, Krasnoyarsk, Russia.
orcid.org\/<\/a><\/a>0000-0001-9833-0654<\/a>, imanakov2001@gmail.com<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Abstract.<\/strong> In modern society, it is often easy to find unjustifiably negative associations about Islam, which, in particular, take place in the works of modern cinematograph. The purpose of this study is to identify the connection between the associations of the European population with Islam and the image of the followers of Islam in modern cinematograph. To achieve the goal of our interest, at the beginning was made a study of a current state of the issue, by searching and analyzing modern scientific research, with subsequent conclusions. After formulating the conclusions, it was decided to test them by the way of conducting a sociological survey among students of the Siberian Federal University. It was decided to conduct the survey in a remote format on the online platform \u201cGoogle Forms\u201d, where respondents were asked to express their point of view on several issues related to the image of Islam \/ Muslims in modern cinema. The result of the sociological survey was confirmation of the conclusions obtained in the course of a review of scientific literature, the main of which was to find the presence of obvious stereotypes of a negative nature regarding the religious system of Islam and its representatives in modern cinematograph.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Keywords:<\/strong> Islam, the image of islam, modern cinematography, Russian cinematography, American cinematography.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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For citation: <\/strong>\u0411\u0430\u044e\u0440\u0441\u043a\u0438\u0439, \u0410. \u0410. \u043e\u0431\u0440\u0430\u0437 \u0438\u0441\u043b\u0430\u043c\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0435 \/ \u0410. \u0410. \u0411\u0430\u044e\u0440\u0441\u043a\u0438\u0439, \u0418. \u0410. \u041c\u0430\u043d\u0430\u043a\u043e\u0432 \/\/ \u0421\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u0430\u044f \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f \u0421\u0438\u0431\u0438\u0440\u0438. \u2013 2020. \u2013 \u0422. 1, \u2116 4. \u2013 \u0421. 75-82. \u2013 DOI 10.31804\/2687-0606-2020-1-4-75-82. \u2013 EDN XSDWYX.<\/p>\n\n\n\t\t

\n\t\t\t\n\t\t\t\t<\/path><\/path><\/svg>\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\tReferences<\/strong><\/summary>\n

1.       \u0412\u043e\u0440\u043e\u043d\u043a\u043e\u0432\u0430 \u0415. \u0410., \u0412\u043e\u0440\u043e\u043d\u043a\u043e\u0432\u0430 \u0422. \u0410. \u041e\u0431\u0440\u0430\u0437 \u043c\u0443\u0441\u0443\u043b\u044c\u043c\u0430\u043d \u0432 \u0441\u043e\u0437\u043d\u0430\u043d\u0438\u0438 \u0436\u0438\u0442\u0435\u043b\u0435\u0439 \u041f\u0440\u0438\u0430\u043c\u0443\u0440\u044c\u044f (\u043e\u043f\u044b\u0442 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e-\u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f) \/\/ \u0420\u0435\u043b\u0438\u0433\u0438\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435. 2012. \u2116 4. \u0421. 173-190.  EDN: PVIACN    <\/p>\n\n\n\n

2.       \u0418\u0432\u0430\u043d\u043e\u0432 \u0410. \u0421. \u0418\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442\u044b \u0440\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u0438 \u043d\u0435\u0433\u0430\u0442\u0438\u0432\u043d\u043e\u0433\u043e \u043e\u0431\u0440\u0430\u0437\u0430 \u043c\u0443\u0441\u0443\u043b\u044c\u043c\u0430\u043d \/\/ Science Time. 2019. \u2116 6. \u0421. 6-13.  EDN: XBAXDR         <\/p>\n\n\n\n

3.       \u041a\u043e\u0437\u0443\u043b\u0438\u043d \u0412. \u041d. \u041e \u043d\u0435\u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e\u0441\u0442\u044f\u0445 \u0444\u043e\u0440\u043c\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044f \u0432 \u0420\u043e\u0441\u0441\u0438\u0438 \u043e\u0431\u0440\u0430\u0437\u0430 \u0438\u0441\u043b\u0430\u043c\u0430 \u0438 \u043c\u0443\u0441\u0443\u043b\u044c\u043c\u0430\u043d\u0438\u043d\u0430 \/\/ \u0414\u043d\u0435\u0432\u043d\u0438\u043a \u0410\u043b\u0442\u0430\u0439\u0441\u043a\u043e\u0439 \u0448\u043a\u043e\u043b\u044b \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439. 2006. \u2116 22. \u0421. 136-140.  EDN: RTGQUL         <\/p>\n\n\n\n

4.       \u0421\u043e\u0442\u043d\u0438\u0447\u0435\u043d\u043a\u043e \u0410. \u0410. \u0418\u0441\u043b\u0430\u043c\u043e\u0444\u043e\u0431\u0438\u044f \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0420\u043e\u0441\u0441\u0438\u0438. \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0432\u043e\u0437\u043d\u0438\u043a\u043d\u043e\u0432\u0435\u043d\u0438\u044f \u0438 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0435 \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430. \u0421\u0435\u0440\u0438\u044f 6. \u0424\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u044f. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u044f. \u041f\u043e\u043b\u0438\u0442\u043e\u043b\u043e\u0433\u0438\u044f. \u041f\u0440\u0430\u0432\u043e. \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0435 \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u044f. 2008. \u2116 1. \u0421. 32-44.  EDN: NSJBIF<\/p>\n\n\n\n

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6.       Elayan Y. Stereotypes of Arab and Arab-Americans Presented in Hollywood Movies Released during 1994 to 2000 \/\/ Electronic Theses and Dissertations. May 2005. P. 1-66.<\/p>\n\n\n\n

7.       Touzani M., Hirschman E. C. Islam and ideology at the movies: Prototypes, stereotypes, and the political economy \/\/ STAGE journals. October 12, 2018. P. 1-19.   <\/p>\n<\/details>\n\n\n\n

Get access to the full version of this article<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0423\u0414\u041a 316.658.2 THE IMAGE OF ISLAM IN MODERN CINEMATOGRAPH Alexander A. Bayursky1, Ilya A. Manakov2 1Siberian Federal University, Krasnoyarsk, Russia.albaurskey@gmail.com 2 Siberian Federal University, Krasnoyarsk, Russia.orcid.org\/0000-0001-9833-0654, imanakov2001@gmail.com Abstract. In modern society, it is often easy to find unjustifiably negative associations about Islam, which, in particular, take place in the works of modern cinematograph. The purpose … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=6574","footnotes":""},"wf_page_folders":[299],"class_list":["post-6576","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=6576"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6576\/revisions"}],"predecessor-version":[{"id":6577,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6576\/revisions\/6577"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=6576"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=6576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}