{"id":6572,"date":"2026-03-10T07:50:35","date_gmt":"2026-03-10T04:50:35","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=6572"},"modified":"2026-03-10T07:50:37","modified_gmt":"2026-03-10T04:50:37","slug":"sai-21","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/sai-21\/","title":{"rendered":"IMAGE OF SIBERIAN TAIGA RESIDENTS IN REGIONAL CINEMA ON THE EXAMPLE OF WERNER HERZOG’S FILM ” HAPPY PEOPLE: A YEAR IN THE TAIGA” (BASED ON DMITRY VASYUKOV’S FILM “HAPPY PEOPLE”)"},"content":{"rendered":"\n
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\u0423\u0414\u041a 791.42<\/p>\n<\/div>\n<\/div>\n\n\n\n

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IMAGE OF SIBERIAN TAIGA RESIDENTS IN REGIONAL CINEMA ON THE EXAMPLE OF WERNER HERZOG’S FILM ” HAPPY PEOPLE: A YEAR IN THE TAIGA” (BASED ON DMITRY VASYUKOV’S FILM “HAPPY PEOPLE”)<\/strong><\/p>\n\n\n\n

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Elena D. Antipenko1<\/sup>, Maria A. Kolesnik<\/strong><\/strong>2<\/strong><\/sup><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

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<\/a>1<\/sup> Siberian Federal University, Krasnoyarsk, Russia.
eantipenko2000@yandex.ru<\/a><\/p>\n\n\n\n

2<\/sup> Siberian Federal University, Krasnoyarsk, Russia.
orcid.org\/<\/a><\/a>0000-0001-8194-7869<\/a>, masha_kolesnik@mail.ru<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Abstract.<\/strong> The article examines the image of Siberians through the eyes of German Director Werner Herzog. Let him do it in a peculiar way. But, one way or another, the documentary “Happy people: a year in the taiga” is assigned to his authorship. It also presents an analysis of this film production, in order to identify the characteristics of the character of Siberians and their way of life. An important feature of the study is that we can look from the inside at how the Turukhansk Siberians live in the thicket of the impenetrable taiga. And together with them to live and feel all the ease and burden of days.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Keywords:<\/strong> Regional cinema, Siberia, Krasnoyarsk territory, Turukhanskiy district, the Siberian way of life.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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For citation: <\/strong>\u0410\u043d\u0442\u0438\u043f\u0435\u043d\u043a\u043e, \u0415. \u0414. \u041e\u0431\u0440\u0430\u0437 \u0436\u0438\u0442\u0435\u043b\u0435\u0439 \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u043e\u0439 \u0442\u0430\u0439\u0433\u0438 \u0432 \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u043c \u043a\u0438\u043d\u043e \u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0444\u0438\u043b\u044c\u043c\u0430 \u0412\u0435\u0440\u043d\u0435\u0440\u0430 \u0425\u0435\u0440\u0446\u043e\u0433\u0430 “\u0421\u0447\u0430\u0441\u0442\u043b\u0438\u0432\u044b\u0435 \u043b\u044e\u0434\u0438: \u0433\u043e\u0434 \u0432 \u0442\u0430\u0439\u0433\u0435” (\u043d\u0430 \u043e\u0441\u043d\u043e\u0432\u0435 \u0444\u0438\u043b\u044c\u043c\u0430 \u0414\u043c\u0438\u0442\u0440\u0438\u044f \u0412\u0430\u0441\u044e\u043a\u043e\u0432\u0430 “\u0421\u0447\u0430\u0441\u0442\u043b\u0438\u0432\u044b\u0435 \u043b\u044e\u0434\u0438”) \/ \u0415. \u0414. \u0410\u043d\u0442\u0438\u043f\u0435\u043d\u043a\u043e, \u041c. \u0410. \u041a\u043e\u043b\u0435\u0441\u043d\u0438\u043a \/\/ \u0421\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u0430\u044f \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f \u0421\u0438\u0431\u0438\u0440\u0438. \u2013 2020. \u2013 \u0422. 1, \u2116 4. \u2013 \u0421. 66-74. \u2013 DOI 10.31804\/2687-0606-2020-1-4-66-74. \u2013 EDN AELTTI.<\/p>\n\n\n\t\t

\n\t\t\t\n\t\t\t\t<\/path><\/path><\/svg>\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\tReferences<\/strong><\/summary>\n

1.       \u0413\u043e\u043b\u043e\u0432\u043d\u0435\u0432\u0430, \u0415.\u0412., \u0413\u043e\u043b\u043e\u0432\u043d\u0435\u0432, \u0418.\u0410. \u041e\u0431\u0440\u0430\u0437 \u0421\u0438\u0431\u0438\u0440\u0438 \u0432 \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043d\u0430\u0440\u0440\u0430\u0442\u0438\u0432\u0435: \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0442\u0438\u0432\u0438\u0441\u0442\u0441\u043a\u0438\u0439 \u043f\u043e\u0434\u0445\u043e\u0434 \/\/ \u0418\u0437\u0432\u0435\u0441\u0442\u0438\u044f \u0423\u0440\u0430\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u0444\u0435\u0434\u0435\u0440\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430. \u0421\u0435\u0440. 1, \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f, \u043d\u0430\u0443\u043a\u0438 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b, 2017, 23, 1 (159), \u0441. 114-123.  EDN: YKKJYH   <\/p>\n\n\n\n

2.       \u0413\u043e\u043b\u043e\u0432\u043d\u0451\u0432, \u0418.\u0410., \u0413\u043e\u043b\u043e\u0432\u043d\u0451\u0432\u0430, \u0415.\u0412. “\u0421\u0438\u0431\u0438\u0440\u044c \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0430\u044f”: \u043e\u0431\u0440\u0430\u0437 \u0440\u0435\u0433\u0438\u043e\u043d\u0430 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0444\u0438\u043b\u044c\u043c\u0435 \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0430 \u041b\u0438\u0442\u0432\u0438\u043d\u043e\u0432\u0430 \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f. – 2016, 4, \u0441. 57-82.  EDN: XSARLZ   <\/p>\n\n\n\n

3.       \u0417\u0430\u0447\u0435\u043c \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444 \u043d\u0443\u0436\u0435\u043d \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0443 \/\/ \u0424\u0435\u0441\u0442\u0438\u0432\u0430\u043b\u044c \u041a\u0440\u0430\u0439 \u0421\u0432\u0435\u0442\u0430. URL: https:\/\/www.culture.ru\/movies\/10477\/zachem-regionalnyi-kinematograf-nuzhen-gosudarstvu.      <\/p>\n\n\n\n

4.       \u041c\u0430\u0441\u044f\u0439\u043a\u0438\u043d\u0430, \u0415.\u0412. \u041e\u0431\u0440\u0430\u0437 \u0421\u0438\u0431\u0438\u0440\u0438 \u0432 \u0440\u0443\u0441\u0441\u043a\u043e\u044f\u0437\u044b\u0447\u043d\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0439 \u043f\u0435\u0440\u0438\u043e\u0434\u0438\u043a\u0435 \u0437\u0430\u0440\u0443\u0431\u0435\u0436\u044c\u044f: \u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0435 \u043c\u0435\u0434\u0438\u0430\u0442\u0435\u043a\u0441\u0442\u043e\u0432 \u0436\u0443\u0440\u043d\u0430\u043b\u043e\u0432 \u0421\u0428\u0410 (1990-2010-\u0435 \u0433\u0433.): \u043c\u0430\u0433\u0438\u0441\u0442\u0435\u0440\u0441\u043a\u0430\u044f \u0434\u0438\u0441\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u044f \u043f\u043e \u043d\u0430\u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u044e \u043f\u043e\u0434\u0433\u043e\u0442\u043e\u0432\u043a\u0438: 45.04. 01-\u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u044f, 2017, 92 \u0441.            <\/p>\n\n\n\n

5.       Nichols, B. Documentary Film and the Modernist Avant-Garde. Chicago journal: Critical Inquiry, 2001, 27, 4, p. 580-610.        <\/p>\n\n\n\n

6.       \u0421\u0430\u0432\u0435\u043b\u044c\u0435\u0432\u0430, \u0415. \u041d. \u041a\u0438\u043d\u043e \u0432 \u0421\u0438\u0431\u0438\u0440\u0438 \u0438 \u043a\u0438\u043d\u043e \u043e \u0421\u0438\u0431\u0438\u0440\u0438: \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430 \u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u043a\u0438 \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0430 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0422\u043e\u043c\u0441\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430, 2007, 304, \u0441. 81-85.  EDN: KHNPBN   <\/p>\n\n\n\n

7.       \u0421\u0430\u0432\u0435\u043b\u044c\u0435\u0432\u0430, \u0415. \u041d. \u0416\u0430\u043d\u0440\u043e\u0432\u044b\u0435 \u0438 \u0441\u0442\u0438\u043b\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0444\u0438\u043b\u044c\u043c\u043e\u0432 \u0441\u0438\u0431\u0438\u0440\u0441\u043a\u043e\u0439 \u0442\u0435\u043c\u0430\u0442\u0438\u043a\u0438 \u0432 \u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u043c \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0435 1960-\u0445 \u0433\u0433. \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0422\u043e\u043c\u0441\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430, 2007, 305, \u0441. 62-65.  EDN: KHNPTZ     <\/p>\n\n\n\n

8.       \u0421\u0430\u0435\u0432\u0438\u0447, \u0410. \u0412 \u043f\u043e\u0438\u0441\u043a\u0430\u0445 \u043d\u043e\u0432\u043e\u0433\u043e \u0432\u0437\u0433\u043b\u044f\u0434\u0430. \u041e\u0431\u0440\u0430\u0437 \u0420\u043e\u0441\u0441\u0438\u0438 \u0432 \u043f\u043e\u043b\u044c\u0441\u043a\u043e\u043c \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u043c \u043a\u0438\u043d\u043e \/\/ \u041d\u0430\u0443\u043a\u0430 \u0442\u0435\u043b\u0435\u0432\u0438\u0434\u0435\u043d\u0438\u044f, 2019, \u2116. 15.3, \u0441. 89-103.  EDN: UTCHKL          <\/p>\n\n\n\n

9.       \u0421\u0430\u0437\u043e\u043d\u043e\u0432, \u0410. “\u0421\u0447\u0430\u0441\u0442\u043b\u0438\u0432\u044b\u0435 \u043b\u044e\u0434\u0438: \u0433\u043e\u0434 \u0432 \u0442\u0430\u0439\u0433\u0435” – \u043a\u0430\u043a \u0412\u0435\u0440\u043d\u0435\u0440 \u0425\u0435\u0440\u0446\u043e\u0433 \u0441\u0442\u0430\u043b \u0441\u043e\u0430\u0432\u0442\u043e\u0440\u043e\u043c \u043e\u0434\u043d\u043e\u0433\u043e \u0438\u0437 \u0441\u043e\u0437\u0434\u0430\u0442\u0435\u043b\u0435\u0439 “\u0414\u0438\u0430\u043b\u043e\u0433\u043e\u0432 \u043e \u0440\u044b\u0431\u0430\u043b\u043a\u0435” \/\/ OpenSpace.ru \u0430\u0440\u0445\u0438\u0432. URL: http:\/\/os.colta.ru\/cinema\/events\/details\/18699.         <\/p>\n\n\n\n

10.     Sitnikova, A. A. The Image of Siberia in Soviet, Post-Soviet Fiction and Werner Herzog’s Documentary Films \/ Journal of Siberian Federal University. Humanities & Social Sciences, 2015, 4 (8), \u0441. 677-706.  EDN: RQVYUI   <\/p>\n\n\n\n

11.     \u0422\u0430\u0440\u0430\u0441\u043e\u0432\u0430, \u041c.\u0412. \u0422\u0435\u043e\u0440\u0438\u044f \u0438 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430. \u0414\u0438\u0430\u043b\u043e\u0433 \u0437\u0440\u0438\u0442\u0435\u043b\u044f \u0438 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a: \u0421\u0438\u0431. \u0444\u0435\u0434\u0435\u0440. \u0443\u043d-\u0442, 2015, 236 \u0441.              <\/p>\n\n\n\n

12.     \u0422\u0438\u0433\u043b\u0435\u0432, \u0421. \u0410. \u041e\u0441\u043e\u0431\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0440\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u0438 \u0421\u0438\u0431\u0438\u0440\u0438 \u0432 \u0444\u0438\u043b\u044c\u043c\u0435 \u0410. \u041a\u043e\u043d\u0447\u0430\u043b\u043e\u0432\u0441\u043a\u043e\u0433\u043e “\u0421\u0438\u0431\u0438\u0440\u0438\u0430\u0434\u0430” \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439, 2018, 7.1, \u0441. 24-29.  EDN: UVNFJG      <\/p>\n\n\n\n

13.     \u0426\u0435\u043f\u0438\u043b\u043e\u0432\u0430, \u041e. \u041c\u044b\u0441\u043b\u0438\u0442\u044c “\u043a\u0440\u0443\u043f\u043d\u044b\u043c \u043f\u043b\u0430\u043d\u043e\u043c”. \u0420\u0435\u0436\u0438\u0441\u0441\u0435\u0440 \u041f\u0435\u0442\u0440\u0443\u0445\u0438\u043d – \u043e \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0438 \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043a\u0438\u043d\u043e \/\/ \u0415\u0436\u0435\u043d\u0435\u0434\u0435\u043b\u044c\u043d\u0438\u043a “\u0410\u0440\u0433\u0443\u043c\u0435\u043d\u0442\u044b \u0438 \u0424\u0430\u043a\u0442\u044b”, 43, 2017. URL: https:\/\/irk.aif.ru\/culture\/myslit_krupnym_planom_rezhisser_petruhin_-_o_razvitii_regionalnogo_kino.<\/p>\n<\/details>\n\n\n\n

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\u0423\u0414\u041a 791.42 IMAGE OF SIBERIAN TAIGA RESIDENTS IN REGIONAL CINEMA ON THE EXAMPLE OF WERNER HERZOG’S FILM ” HAPPY PEOPLE: A YEAR IN THE TAIGA” (BASED ON DMITRY VASYUKOV’S FILM “HAPPY PEOPLE”) Elena D. Antipenko1, Maria A. Kolesnik2 1 Siberian Federal University, Krasnoyarsk, Russia.eantipenko2000@yandex.ru 2 Siberian Federal University, Krasnoyarsk, Russia.orcid.org\/0000-0001-8194-7869, masha_kolesnik@mail.ru Abstract. The article examines … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=6570","footnotes":""},"wf_page_folders":[299],"class_list":["post-6572","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=6572"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6572\/revisions"}],"predecessor-version":[{"id":6573,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6572\/revisions\/6573"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=6572"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=6572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}