{"id":6487,"date":"2026-03-06T08:26:09","date_gmt":"2026-03-06T05:26:09","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=6487"},"modified":"2026-03-06T08:26:12","modified_gmt":"2026-03-06T05:26:12","slug":"sai-41","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/sai-41\/","title":{"rendered":"RENAISSANCE ART WORKS IN THE ARTISTIC STRUCTURE OF VIDEO GAMES (ON THE EXAMPLE OF THE \u00abASSASSIN\u2019S CREED\u00bb SERIES)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0423\u0414\u041a 74.01\/.09<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RENAISSANCE ART WORKS IN THE ARTISTIC STRUCTURE OF VIDEO GAMES (ON THE EXAMPLE OF THE \u00abASSASSIN\u2019S CREED\u00bb SERIES)<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Egor S. Kozlov<sup>1<\/sup>, Ekaterina A. Sertakova<sup>2<\/sup><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>1<\/sup>&nbsp;Siberian federal university.<br><a href=\"mailto:egostle@gmail.com\">egostle@gmail.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>2<\/sup>&nbsp;Siberian federal university.<br><a href=\"https:\/\/www.scopus.com\/redirect.uri?url=http:\/\/www.o\" target=\"_blank\" rel=\"noreferrer noopener\">orcid.org\/0000-0002-7153-9770<\/a>,&nbsp;<a href=\"mailto:sertachok@mail.ru\">sertachok@mail.ru<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract.&nbsp;<\/strong>This article is devoted to the consideration of video games, whose plot unfolds in the context of the historical Renaissance and refers to its artistic culture. A study of the video game market of the last two decades has shown that there are few products related to the time in question, and there is practically no representation of the art of the era. The exception is the series of games \u2014 \u00abAssassin\u2019s Creed\u00bb, in which the chosen era is meticulously recreated. The popularity of this video game is due not only to the chosen genre of action adventure, but also to the thoroughness of the setting. The use of a huge number of references to real-life works of Renaissance architecture made it possible to distinguish this product from the background of other reconstructions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A comparative analysis of real works of architecture with their game counterparts revealed elements of a postmodern vision in a modern video game and showed how an essentially entertaining product is capable of forming a cognitive interest in the history and culture of the past.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keywords<\/strong>: video game, setting, architecture, Renaissance, Assassin\u2019s Creed 2, Assassin\u2019s Creed: Brotherhood.<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>References<\/strong><\/summary>\n<p class=\"wp-block-paragraph\">1. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0410\u043d\u0443\u0444\u0440\u0438\u0435\u0432\u0430 \u0410.\u0421. &#8220;\u0412\u043e\u043e\u0431\u0440\u0430\u0436\u0430\u0435\u043c\u043e\u0435 \u0421\u0440\u0435\u0434\u043d\u0435\u0432\u0435\u043a\u043e\u0432\u044c\u0435&#8221; \u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0430\u0445: \u0441\u0438\u043d\u0445\u0440\u043e\u043d\u0438\u0437\u0430\u0446\u0438\u044f vs \u0440\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \/\/ VOX MEDIEVAL, 2019, \u2116 2(5). \u0421. 150-167.&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0430\u0448\u043a\u0438\u0440\u043e\u0432 \u0410. \u0413\u043e\u0440\u044f\u0447\u0430\u044f \u043b\u0438\u043d\u0438\u044f: \u0438\u0433\u0440\u044b \/\/ \u0418\u0433\u0440\u043e\u043c\u0430\u043d\u0438\u044f, 2009. \u21164 (139).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0412\u0435\u0442\u0443\u0448\u0438\u043d\u0441\u043a\u0438\u0439 \u0410.\u0421. To Play Game Studies Press the START Button \/\/ \u041b\u043e\u0433\u043e\u0441, 2015, \u21161(103). \u0421. 41-60.&nbsp; EDN: UHXZIV&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0413\u0430\u043b\u0430\u043d\u0438\u043d\u0430 \u0415.\u0412., \u0412\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u044b: \u0432\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0432 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f. \u0422\u043e\u043c\u0441\u043a: \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u0441\u043a\u0438\u0439 \u0422\u043e\u043c\u0441\u043a\u0438\u0439 \u043f\u043e\u043b\u0438\u0442\u0435\u0445\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442, 2018. 396 \u0441.&nbsp; EDN: YZXKAX&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0413\u043e\u043b\u043e\u0431\u043e\u0440\u043e\u0434\u0441\u043a\u0438\u0439 \u041c.\u0412., \u0410\u043d\u0442\u043e\u043d\u043e\u0432\u0441\u043a\u0438\u0439 \u0420.\u041c. \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0430\u0445: \u0444\u0435\u043d\u043e\u043c\u0435\u043d \u0432\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u0440\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u0438 \u0438 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u043f\u043e\u0442\u0435\u043d\u0446\u0438\u0430\u043b \/\/ \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u0441\u0442\u0440\u043e\u0438\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0420\u043e\u0441\u0441\u0438\u0438, 2019, \u2116 3(231). \u0421. 72-75.&nbsp; EDN: FMZBZM&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414\u0435\u043d\u0438\u043a\u0438\u043d \u0410.\u0410. \u041c\u043e\u0433\u0443\u0442 \u043b\u0438 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u044b \u0431\u044b\u0442\u044c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u043c? \/\/ \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0439 \u0436\u0443\u0440\u043d\u0430\u043b \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b, 2013, \u2116 2(11). \u0421. 90-96.&nbsp; EDN: QCGUPZ<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0416\u0435\u043b\u0435\u0437\u043d\u0430\u044f \u0422.\u0421., \u0412\u043b\u0430\u0441\u043e\u0432 \u042e.\u041c., \u0421\u043e\u043b\u043e\u0432\u0446\u0435\u0432 \u0415.\u0412. \u041d\u0430\u0440\u0440\u0430\u0442\u0438\u0432\u043d\u0430\u044f \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0432\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0445 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432 \/\/ \u0421\u0442\u0443\u0434\u0435\u043d\u0442 \u0438 \u043d\u0430\u0443\u043a\u0430, 2020, \u2116 3(14). \u0421. 15-20.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0418\u043b\u044c\u0438\u043d \u041a.\u0421. \u0414\u0438\u0437\u0430\u0439\u043d \u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0430\u0445 \/\/ \u041d\u043e\u0432\u044b\u0435 \u0438\u0434\u0435\u0438 \u043d\u043e\u0432\u043e\u0433\u043e \u0432\u0435\u043a\u0430: \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044b \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0439 \u043d\u0430\u0443\u0447\u043d\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438 \u0424\u0410\u0414 \u0422\u041e\u0413\u0423, 2020, \u2116 3. \u0421. 173-180.&nbsp; EDN: LNKVGD&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041e\u0440\u043b\u043e\u0432 \u0410.\u0412. \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u043d\u043e\u0435 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e \u043a\u0430\u043a \u044d\u043b\u0435\u043c\u0435\u043d\u0442 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u044b \/\/ \u0414\u043d\u0438 \u043d\u0430\u0443\u043a\u0438 \u0438 \u0438\u043d\u043d\u043e\u0432\u0430\u0446\u0438\u0439 \u041d\u043e\u0432\u0413\u0423, \u041d\u043e\u0432\u0433\u043e\u0440\u043e\u0434\u0441\u043a\u0438\u0439 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u0438\u043c\u0435\u043d\u0438 \u042f\u0440\u043e\u0441\u043b\u0430\u0432\u0430 \u041c\u0443\u0434\u0440\u043e\u0433\u043e (\u0412\u0435\u043b\u0438\u043a\u0438\u0439 \u041d\u043e\u0432\u0433\u043e\u0440\u043e\u0434), 2020. \u0421. 306-311.&nbsp; EDN: IOPPWG&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041f\u0435\u0442\u0440\u0443\u0445\u0438\u043d\u0430 \u041b.\u0410., \u041a\u043e\u0440\u043e\u043b\u0435\u0432\u0430 \u041e.\u0410. \u0412\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u044b \u043a\u0430\u043a \u0432\u0438\u0434 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \/\/ \u041d\u0430\u0443\u043a\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0438\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u043e\u043c \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435, LuluPress, Inc., 2019. \u0421. 1-5.&nbsp; EDN: YZZQBV&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u0438\u0442\u043e\u0440\u0435\u043d\u043a\u043e \u0410.\u0410., \u041c\u0435\u0442\u0430\u0444\u0438\u0437\u0438\u043a\u0430 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440 \/\/ \u041d\u0430\u0443\u043a\u0430 \u0442\u0435\u043b\u0435\u0432\u0438\u0434\u0435\u043d\u0438\u044f, 2011, \u2116 8. \u0421.149-161.&nbsp; EDN: XCFJVJ&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0422\u0440\u0435\u0442\u044c\u044f\u043a\u043e\u0432 \u0412. \u0412\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0430 \u043a\u0430\u043a \u043d\u043e\u0432\u044b\u0439 \u0442\u0438\u043f \u043f\u043e\u0432\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u043d\u0438\u044f (\u043e\u0431\u0437\u043e\u0440 \u0430\u043d\u0433\u043b\u043e\u044f\u0437\u044b\u0447\u043d\u044b\u0445 \u043a\u043d\u0438\u0433 \u043e \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0430\u0445) \/\/ \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435, 2016, \u2116 1(137). \u0421. 307-314.&nbsp; EDN: VVTWIX&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0427\u0435\u0440\u043d\u044b\u0439 \u0421.\u042e. \u041a\u043e\u043d\u0441\u0442\u0440\u0443\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0448\u043b\u043e\u0433\u043e \u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0430\u0445: \u0438\u0433\u0440\u043e\u043a \u043a\u0430\u043a \u043f\u043e\u0442\u0440\u0435\u0431\u0438\u0442\u0435\u043b\u044c \u0438 \u0441\u043e\u0430\u0432\u0442\u043e\u0440 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043d\u0430\u0440\u0440\u0430\u0442\u0438\u0432\u0430 (\u043f\u0440\u043e\u0435\u043a\u0442 &#8220;EUROPA UNIVERSALIS IV&#8221;) \/\/ \u0428\u0410\u0413\u0418-STEPS, 2017, \u2116 3(2). \u0421. 77-97.&nbsp; EDN: ZFAXWJ&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">14. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Egenfeldt-Nielsen S., Smith J.H., Tosca S.P. Understanding Video Games: The Essential Introduction. N.Y., 2008.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">15. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kline D.T. &#8220;All Your History Are Belong to Us&#8221;: Digital Gaming Re-imagines the Middle Ages \/\/ Digital Gaming Re-imagines the Middle Ages \/ ed. by D. T. Kline. New York, 2014. P. 1-11.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">16. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Rouse R. Game Design: Theory &amp; Practice: 2. Los Rios Boulevard, Plano, Texas, USA: Wordware Publishing, 2004. 698 \u0441.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; San Nicol\u00e1s Romera C., Nicol\u00e1s Ojeda \u00c1. M., Ros Velasco J. Video Games Set in the Middle Ages: Time Spans, Plots, and Genres \/\/ Games and Culture. 2016. Vol. 11. P. 2-6.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">18. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Video Game Theory Reader \/ Eds. M.J.P. Wolf, B. Perron. N.Y.; L., 2003.&nbsp;<\/p>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/elibrary.ru\/item.asp?id=46709724\" target=\"_blank\" rel=\"noopener\">Get access to the full version of this article<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0423\u0414\u041a 74.01\/.09 RENAISSANCE ART WORKS IN THE ARTISTIC STRUCTURE OF VIDEO GAMES (ON THE EXAMPLE OF THE \u00abASSASSIN\u2019S CREED\u00bb SERIES) Egor S. Kozlov1, Ekaterina A. Sertakova2 1&nbsp;Siberian federal university.egostle@gmail.com 2&nbsp;Siberian federal university.orcid.org\/0000-0002-7153-9770,&nbsp;sertachok@mail.ru Abstract.&nbsp;This article is devoted to the consideration of video games, whose plot unfolds in the context of the historical Renaissance and refers to &#8230; <a title=\"RENAISSANCE ART WORKS IN THE ARTISTIC STRUCTURE OF VIDEO GAMES (ON THE EXAMPLE OF THE \u00abASSASSIN\u2019S CREED\u00bb SERIES)\" class=\"read-more\" href=\"http:\/\/intelsiberia.ru\/en\/sai-41\/\" aria-label=\"Read more about RENAISSANCE ART WORKS IN THE ARTISTIC STRUCTURE OF VIDEO GAMES (ON THE EXAMPLE OF THE \u00abASSASSIN\u2019S CREED\u00bb SERIES)\">Read more<\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=6485","footnotes":""},"wf_page_folders":[299],"class_list":["post-6487","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=6487"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6487\/revisions"}],"predecessor-version":[{"id":6488,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6487\/revisions\/6488"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=6487"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=6487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}