{"id":6461,"date":"2026-03-06T07:51:38","date_gmt":"2026-03-06T04:51:38","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=6461"},"modified":"2026-03-06T07:51:40","modified_gmt":"2026-03-06T04:51:40","slug":"sai-37","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/sai-37\/","title":{"rendered":"INTERACTION OF THE ADDRESS OF ART CRITICISM AND THE WORK OF FINE ARTS"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0423\u0414\u041a 7.072.3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>INTERACTION OF THE ADDRESS OF ART CRITICISM AND THE WORK OF FINE ARTS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ksenia V. Reznikova<sup>1<\/sup>, Maya G. Smolina<sup>2<\/sup><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>1<\/sup>&nbsp;Siberian federal university.<br><a href=\"https:\/\/www.scopus.com\/redirect.uri?url=http:\/\/www.o\" target=\"_blank\" rel=\"noreferrer noopener\">orcid.org\/0000-0003-0889-4582<\/a>,&nbsp;<a href=\"mailto:kreznikova@sfu-kras.ru\">kreznikova@sfu-kras.ru<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>2<\/sup>&nbsp;Siberian federal university.<br><a href=\"https:\/\/www.scopus.com\/redirect.uri?url=http:\/\/www.o\" target=\"_blank\" rel=\"noreferrer noopener\">orcid.org\/0000-0002-8336-5237<\/a>,&nbsp;<a href=\"mailto:msmolina@sfu-kras.ru\">msmolina@sfu-kras.ru<\/a>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract<\/strong>. The object of this scientific research is art criticism, the subject is the interaction of the addressee of art criticism and a work of fine art. The aim is to study the relationship between the addressee of art criticism and a work of fine art. The conceptual analysis of the concept of \u00abart criticism\u00bb is given, the features and structure of the text of art criticism are considered. The conceptual basis for the study was the key provisions of the theory of reflection by G.V.F. Hegel, the basic principles of the synthetic theory of the ideal D.V. Pivovarov and the concept of ideal formation, the main provisions of the theory of fine art by V.I. Zhukovsky and N.P. Koptseva. A peculiar result of scientific research is the fixation of the characteristics of various addressees of the text of art criticism (\u00abviewer\u00bb and \u00abartist\u00bb) and the specifics of their relationship with a work of fine art through the study of the text of art criticism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keywords<\/strong>: art criticism, the addressee of art criticism, a work of fine art<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>References<\/strong><\/summary>\n<p class=\"wp-block-paragraph\">1. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0430\u0440\u0430\u0431\u0430\u043d\u043e\u0432, \u0415. \u041a \u043a\u0440\u0438\u0442\u0438\u043a\u0435 \u043a\u0440\u0438\u0442\u0438\u043a\u0438 [\u042d\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u044b\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. URL http:\/\/moscowartmagazine.com\/issue\/71\/article\/1526.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0430\u0440\u0430\u043d\u043e\u0432, \u0412.\u0418. \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e-\u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043a\u0440\u0438\u0442\u0438\u043a\u0430: \u0443\u0447\u0435\u0431\u043d\u043e\u0435 \u043f\u043e\u0441\u043e\u0431\u0438\u0435 \u0434\u043b\u044f \u0432\u0443\u0437\u043e\u0432 \/ \u0412.\u0418. \u0411\u0430\u0440\u0430\u043d\u043e\u0432, \u0410.\u0413. \u0411\u043e\u0447\u0430\u0440\u043e\u0432, \u042e.\u0418. \u0421\u0443\u0432\u043e\u0440\u043e\u0432\u0446\u0435\u0432. \u041c.: \u0412\u044b\u0441\u0448\u0430\u044f \u0448\u043a\u043e\u043b\u0430, 1982. \u0421. 205.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0435\u0440\u043d\u0448\u0442\u0435\u0439\u043d, \u0411.\u041c. \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432 \u0438 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043a\u0440\u0438\u0442\u0438\u043a\u0430 \/\/ \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0437\u043d\u0430\u043d\u0438\u0435. \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a, 1974. \u0421. 257-258.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0435\u0440\u043d\u0448\u0442\u0435\u0439\u043d, \u0411.\u041c. \u041e \u043c\u0435\u0442\u043e\u0434\u043e\u043b\u043e\u0433\u0438\u0438 \u043a\u0440\u0438\u0442\u0438\u043a\u0438 \/\/ \u0414\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e. \u0421\u0421\u0421\u0420, 1977. \u2116 5. \u0421. 23-25.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0411\u0443\u0440\u0441\u043e\u0432, \u0411. \u0418. \u041a\u0440\u0438\u0442\u0438\u043a\u0430 \u043a\u0430\u043a \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430. \u041c.: \u041c\u044b\u0441\u043b\u044c, 1976. \u0421. 323.&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0412\u0430\u043d\u0441\u043b\u043e\u0432, \u0412.\u0412. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u0437\u043d\u0430\u043d\u0438\u0435 \u0438 \u043a\u0440\u0438\u0442\u0438\u043a\u0430: \u043c\u0435\u0442\u043e\u0434\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043e\u0441\u043d\u043e\u0432\u044b \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u0438\u0435 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u044b. \u041b.: \u0425\u0443\u0434\u043e\u0436\u043d\u0438\u043a \u0420\u0421\u0424\u0421\u0420, 1988. \u0421.250-280.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0412\u043b\u0430\u0441\u043e\u0432, \u0412.\u0413. \u0411\u043e\u043b\u044c\u0448\u043e\u0439 \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u043b\u043e\u0432\u0430\u0440\u044c \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u0421\u041f\u0431.: \u041b\u0418\u0422\u0410, 2000. \u0421. 832.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0413\u0430\u043c\u0437\u0430\u0442\u043e\u0432, \u0420. \u0414\u0438\u0430\u043b\u043e\u0433 \u043e \u043a\u0440\u0438\u0442\u0438\u043a\u0435 \/\/ \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0430\u044f \u0433\u0430\u0437\u0435\u0442\u0430. 1972. \u21163. \u0421. 4.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0414\u0430\u043b\u044c, \u0412.\u0418. \u0422\u043e\u043b\u043a\u043e\u0432\u044b\u0439 \u0441\u043b\u043e\u0432\u0430\u0440\u044c \u0436\u0438\u0432\u043e\u0433\u043e \u0432\u0435\u043b\u0438\u043a\u043e\u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u044f\u0437\u044b\u043a\u0430. \u0421\u041f\u0431.: \u0422\u041e\u041e &#8220;\u0414\u0438\u0430\u043c\u0430\u043d\u0442&#8221;, 1996. \u0421. 800.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0416\u0443\u043a\u043e\u0432\u0441\u043a\u0438\u0439, \u0412.\u0418. \u0412\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0441\u0443\u0449\u043d\u043e\u0441\u0442\u044c \u0440\u0435\u043b\u0438\u0433\u0438\u0438: \u041c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440. \u0433\u043e\u0441. \u0443\u043d-\u0442. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, 2006. \u0421. 461.&nbsp; EDN: QUAYFJ&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041a\u0430\u0433\u0430\u043d, \u041c.\u0421. \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u043a\u0440\u0438\u0442\u0438\u043a\u0430 \u0438 \u043d\u0430\u0443\u0447\u043d\u043e\u0435 \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a, 1976. \u0421. 318-325.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u041b\u044e\u0431\u0443\u0442\u0438\u043d, \u041a.\u041d. \u0418\u0434\u0435\u0430\u043b\u044c\u043d\u043e\u0435 \u043a\u0430\u043a \u0432\u0437\u0430\u0438\u043c\u043e\u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u043e\u0431\u044a\u0435\u043a\u0442\u0430 \u0438 \u0441\u0443\u0431\u044a\u0435\u043a\u0442\u0430. \u041c., 1988. \u0421. 22-32.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0421\u0443\u043b\u044c\u0431\u0435\u0440\u0435\u043a\u043e\u0432\u0430, \u041c. \u0413. \u041a\u0440\u0438\u0442\u0438\u043a\u0430 \u043a\u0430\u043a \u043e\u0440\u0433\u0430\u043d \u0441\u0430\u043c\u043e\u0440\u0435\u0444\u043b\u0435\u043a\u0441\u0438\u0438 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b: \u0434\u0438\u0441\u0441\u2026 \u043a\u0430\u043d\u0434. \u0444\u0438\u043b\u043e\u0441. \u043d\u0430\u0443\u043a: 24.00.01: \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a, 2006. 166 \u0441.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">14. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0427\u0435\u0440\u043d\u044b\u0445 \u041f.\u042f. \u0418\u0441\u0442\u043e\u0440\u0438\u043a\u043e-\u044d\u0442\u0438\u043c\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u043b\u043e\u0432\u0430\u0440\u044c \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u044f\u0437\u044b\u043a\u0430. \u041c.: \u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a, 2002. \u0421. 624.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/elibrary.ru\/item.asp?id=46197923\" target=\"_blank\" rel=\"noopener\">Get access to the full version of this article<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0423\u0414\u041a 7.072.3 INTERACTION OF THE ADDRESS OF ART CRITICISM AND THE WORK OF FINE ARTS Ksenia V. Reznikova1, Maya G. Smolina2 1&nbsp;Siberian federal university.orcid.org\/0000-0003-0889-4582,&nbsp;kreznikova@sfu-kras.ru 2&nbsp;Siberian federal university.orcid.org\/0000-0002-8336-5237,&nbsp;msmolina@sfu-kras.ru&nbsp; Abstract. The object of this scientific research is art criticism, the subject is the interaction of the addressee of art criticism and a work of fine art. The &#8230; <a title=\"INTERACTION OF THE ADDRESS OF ART CRITICISM AND THE WORK OF FINE ARTS\" class=\"read-more\" href=\"http:\/\/intelsiberia.ru\/en\/sai-37\/\" aria-label=\"Read more about INTERACTION OF THE ADDRESS OF ART CRITICISM AND THE WORK OF FINE ARTS\">Read more<\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=6459","footnotes":""},"wf_page_folders":[299],"class_list":["post-6461","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=6461"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6461\/revisions"}],"predecessor-version":[{"id":6462,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6461\/revisions\/6462"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=6461"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=6461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}