{"id":6241,"date":"2026-03-04T18:32:51","date_gmt":"2026-03-04T15:32:51","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=6241"},"modified":"2026-03-06T10:35:07","modified_gmt":"2026-03-06T07:35:07","slug":"sai-103-2","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/sai-103-2\/","title":{"rendered":"THE SPECIFICS OF THE RELATIONSHIP OF CONTEMPORARY KRASNOYARSK ARTISTS TO THE INTRODUCTION OF AI IN THE FIELD OF ART"},"content":{"rendered":"\n

\u0423\u0414\u041a 004.8<\/p>\n\n\n\n

THE SPECIFICS OF THE RELATIONSHIP OF CONTEMPORARY KRASNOYARSK ARTISTS TO THE INTRODUCTION OF AI IN THE FIELD OF ART<\/strong><\/p>\n\n\n\n

Vsevolod V. Khvorostov<\/strong><\/p>\n\n\n\n

Krasnoyarsk Art Museum named after V.I. Surikov, Krasnoyarsk, Russia<\/p>\n\n\n\n

vvkhvorostov@gmail.com<\/a>, https:\/\/orcid.org\/0009-0006-7470-2138<\/p>\n\n\n\n

Abstract.<\/strong> This research article is a continuation of the study described in the article \u00abThe main problems of AI implementation in the field of art: based on the materials of publicist 2018-2023\u00bb. The results presented in it made it possible to highlight a number of problems and issues arising in the implementation of artificial intelligence in the field of art. Conducting focus groups and expert interviews taken from Krasnoyarsk artists pr. professionals in the field of art provides an opportunity to obtain more qualitative data on the issues arising in the introduction of AI in the field of art, to identify the attitude of artists to them and to obtain expert opinion on possible ways to solve them. Whereas publicity reflects the average attitudes expressed in society, the experience of arts professionals can demonstrate quite different results. The work with the representation of artists on the basis of the questions of the previous article is justified by the specific nature of these problems \u2013 they are largely formed by the peculiarities of people’s assessment of the ongoing processes. Thus, the question of the aesthetic value or the place of the artist in creative competition with AI can hardly be answered in an entirely objective way or find the only correct solution to this problem. The situation is similar with the problems of copyright and the danger of generated content. Opposing attitudes to these problems, the acuteness of the arising issues, and the ambiguity of their possible solutions together set a great value for the study of artists’ perceptions directly related to the sphere of art at the current moment.<\/p>\n\n\n\n

Keywords<\/strong>: artificial intelligence, AI, visual art, modern art, Krasnoyarsk artists, interview, focus group.<\/p>\n\n\n\n

\u041d\u0430\u0443\u0447\u043d\u0430\u044f \u0441\u043f\u0435\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c: 24.00.01 \u2013 \u0422\u0435\u043e\u0440\u0438\u044f \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b (\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u044f).<\/p>\n\n\n\n

\u041d\u043e\u0432\u0430\u044f \u043d\u043e\u043c\u0435\u043d\u043a\u043b\u0430\u0442\u0443\u0440\u0430: 5.10.1. \u0422\u0435\u043e\u0440\u0438\u044f \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b, \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 (\u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0438\u0435) \u0438\u043b\u0438 (\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u044f).<\/p>\n\n\n\n

For citation:<\/em><\/strong> Khvorostov V. V. <\/strong>Problems of interaction between AI and art, possibilities of their solution through the eyes of the professional community: on the material of the city of Krasnoyarsk \/\/ Sociology of artificial intelligence, 2024, 5 (1), 34-41. [in Russian]. EDN: UQNFVA<\/p>\n\n\n\n

References<\/strong><\/summary>\n

1. An A.I.-Generated Picture Won an Art Prize. Artists Aren’t Happy \/\/ The New York Times, 2022. – URL: https:\/\/www.nytimes.com\/2022\/09\/02\/technology\/ai-artificial-intelligence- artists.html (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 05.02.2023).  <\/p>\n\n\n\n

2. Artists Explore A.I., With Some Deep Unease \/\/ The New York Times, 2020. – URL: https:\/\/www.nytimes.com\/2020\/04\/08\/arts\/design\/ai-artists- exhibitions.html (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 05.02.2023).    <\/p>\n\n\n\n

3. DALL-E 2 Preview – Risks and Limitations \/\/ Github.com, 2022. – URL: https:\/\/github.com\/openai\/dalle-2-preview\/blob\/main\/system-card.md#dalle-2- preview-risks-and-limitations (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 05.02.2023).    <\/p>\n\n\n\n

4. Internet Companies Prepare to Fight the \u2018Deepfake’ Future \/\/ The New York Times, 2019. – URL: https:\/\/www.nytimes.com\/2019\/11\/24\/technology\/tech- companies-deepfakes.html (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 13.03.2023).    <\/p>\n\n\n\n

5. Is A.I. Art Stealing from Artists? \/\/ The New Yorker Magazine, 2023. – URL: https:\/\/www.newyorker.com\/culture\/infinite-scroll\/is-ai-art-stealing-from-artists (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 13.03.2023).  <\/p>\n\n\n\n

6. We Need to Talk About How Good A.I. Is Getting \/\/ The New York Times, 2023. – URL: https:\/\/www.nytimes.com\/2022\/08\/24\/technology\/ai-technology- progress.html (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 13.03.2023).  <\/p>\n\n\n\n

7. \u0412\u0430\u043b\u0435\u0440\u0438\u0439 \u041f\u0435\u0447\u0435\u0439\u043a\u0438\u043d: \u0423 \u043d\u0435\u0439\u0440\u043e\u0441\u0435\u0442\u0438 \u043d\u0435\u0442 \u043f\u043e\u0442\u0440\u0435\u0431\u043d\u043e\u0441\u0442\u0438 \u0437\u0430\u043d\u0438\u043c\u0430\u0442\u044c\u0441\u044f “\u0432\u044b\u0441\u043e\u043a\u0438\u043c” \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u043c, \u0430 \u0443 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430 – \u0435\u0441\u0442\u044c \/\/ \u0420\u0443\u0441\u0441\u043a\u0430\u044f \u0413\u0430\u0437\u0435\u0442\u0430, 2023. – URL: https:\/\/rg.ru\/ (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 24.04.2023).  <\/p>\n\n\n\n

8. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0431\u0435\u0437 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0430: \u0447\u0442\u043e \u0443\u043c\u0435\u044e\u0442 \u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0438\u0435 \u043d\u0435\u0439\u0440\u043e\u0441\u0435\u0442\u0438 \/\/ \u041a\u043e\u043c\u043f\u0430\u043d\u0438\u044f \u0416\u0443\u0440\u043d\u0430\u043b, 2023. – URL: https:\/\/ko.ru\/articles\/iskusstvo-bez-khudozhnika-chto-umeyut-rossiyskie-neyroseti\/ (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 06.04.2023).  <\/p>\n\n\n\n

9. \u041d\u0435\u0439\u0440\u043e\u0441\u0435\u0442\u0438 \u0443\u0436\u0435 \u0440\u0438\u0441\u0443\u044e\u0442 \u043a\u0430\u0440\u0442\u0438\u043d\u044b \u0438 \u043f\u0438\u0448\u0443\u0442 \u0441\u0446\u0435\u043d\u0430\u0440\u0438\u0438. \u0413\u0434\u0435 \u0435\u0449\u0451 \u043e\u043d\u0438 \u0434\u043e\u0433\u043e\u043d\u044f\u044e\u0442 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430 \/\/ Singularis, 2021. – URL: https:\/\/vc.ru\/future\/290973-neyroseti- uzhe-risuyut-kartiny-i-pishut-scenarii-gde-eshche-oni-dogonyayut-cheloveka (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 07.02.2023).  <\/p>\n\n\n\n

10. \u041d\u0435\u0439\u0440\u043e\u0441\u0435\u0442\u044c \u043a\u0430\u043a \u043d\u043e\u0432\u044b\u0439 \u0438\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442 \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u043e\u0441\u0442\u0438: \u043f\u043e\u0447\u0435\u043c\u0443 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0443 \u0432\u0430\u0436\u043d\u043e \u0441\u043e\u0445\u0440\u0430\u043d\u044f\u0442\u044c \u044d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u044c, 2023. – \/\/ Render.ru URL: https:\/\/github.com\/openai\/dalle-2-preview\/blob\/main\/system-card.md#dalle-2- preview-risks-and-limitations (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 05.02.2023).  <\/p>\n\n\n\n

11. \u0425\u0432\u043e\u0440\u043e\u0441\u0442\u043e\u0432, \u0412. \u0412. \u041e\u0441\u043d\u043e\u0432\u043d\u044b\u0435 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u044b \u0432\u043d\u0435\u0434\u0440\u0435\u043d\u0438\u044f \u0438\u0438 \u0432 \u0441\u0444\u0435\u0440\u0443 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430: \u043f\u043e \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u043c \u043f\u0443\u0431\u043b\u0438\u0446\u0438\u0441\u0442\u0438\u043a\u0438 2018-2023 \u0433\u043e\u0434\u043e\u0432 \/ \u0412. \u0412. \u0425\u0432\u043e\u0440\u043e\u0441\u0442\u043e\u0432 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. – 2023. – \u0422. 4. – \u2116 4. – \u0421. 31-38. -.  EDN: CIZFEA<\/p>\n\n\n\n

12. \u0426\u0438\u0444\u0440\u043e\u0432\u043e\u0439 \u0445\u043e\u043b\u0441\u0442: \u0441\u043c\u043e\u0433\u0443\u0442 \u043b\u0438 \u043d\u0435\u0439\u0440\u043e\u0441\u0435\u0442\u0438 \u0437\u0430\u043d\u044f\u0442\u044c \u043c\u0435\u0441\u0442\u043e \u0440\u0435\u0430\u043b\u044c\u043d\u044b\u0445 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u043e\u0432\/\/ \u0418\u0437\u0432\u0435\u0441\u0442\u0438\u044f, 2022. – URL: https:\/\/iz.ru\/1444899\/ekaterina-karaseva\/tcifrovoi- kholst-smogut-li-neiroseti-zaniat-mesto-realnykh-khudozhnikov.  <\/p>\n\n\n\n

13. \u042f \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e \u0433\u0435\u043d\u0435\u0440\u0438\u0440\u0443\u044e \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u044f \u0432 \u043d\u0435\u0439\u0440\u043e\u0441\u0435\u0442\u0438 \u0438 \u0441\u0447\u0438\u0442\u0430\u044e, \u0447\u0442\u043e \u044d\u0442\u043e \u0442\u043e\u0436\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \/\/ \u0422\u0438\u043d\u044c\u043a\u043e\u0444\u0444 \u0416\u0443\u0440\u043d\u0430\u043b, 2023. – URL: https:\/\/journal.tinkoff.ru\/ai-artist\/ (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 05.05.2023).<\/p>\n<\/details>\n\n\n\n

Get access to the full version of this article<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0423\u0414\u041a 004.8 THE SPECIFICS OF THE RELATIONSHIP OF CONTEMPORARY KRASNOYARSK ARTISTS TO THE INTRODUCTION OF AI IN THE FIELD OF ART Vsevolod V. Khvorostov Krasnoyarsk Art Museum named after V.I. Surikov, Krasnoyarsk, Russia vvkhvorostov@gmail.com, https:\/\/orcid.org\/0009-0006-7470-2138 Abstract. This research article is a continuation of the study described in the article \u00abThe main problems of AI implementation … Read more<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=6240","footnotes":""},"wf_page_folders":[299],"class_list":["post-6241","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=6241"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6241\/revisions"}],"predecessor-version":[{"id":6244,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6241\/revisions\/6244"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=6241"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=6241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}