{"id":6163,"date":"2026-03-04T13:20:58","date_gmt":"2026-03-04T10:20:58","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=6163"},"modified":"2026-03-04T15:24:41","modified_gmt":"2026-03-04T12:24:41","slug":"sai-54","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/sai-54\/","title":{"rendered":"Artificial intellegence in US cinema from the end of the 20th century to the benggining of the 21st century"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0423\u0414\u041a 791.43.04<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"text-transform:uppercase\"><strong>Artificial intellegence in US cinema from the end of the 20<sup>th<\/sup> century to the benggining of the 21<sup>st<\/sup> century<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ksenya V. Resnikova<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Siberian federal university<br>ORCID ID: <a href=\"https:\/\/www.scopus.com\/redirect.uri?url=http:\/\/www.o\" target=\"_blank\" rel=\"noopener\">http:\/\/orcid.org\/0000-0003-0889-4582&nbsp;&nbsp;&nbsp;<\/a><br>\u0421orresponding author e-mail: kreznikova@ sfu-kras.ru&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ekaterina A. Sertakova<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Siberian federal university<br>ORCID ID: <a href=\"https:\/\/www.scopus.com\/redirect.uri?url=http:\/\/www.o\" target=\"_blank\" rel=\"noopener\">http:\/\/orcid.org\/0000-0002-7153-9770&nbsp;&nbsp;<\/a><br>\u0421orresponding author e-mail: sertachok@mail.ru<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aleksandra \u0410. Sitnikova<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Siberian federal university<br>ORCID ID: <a href=\"https:\/\/www.scopus.com\/redirect.uri?url=http:\/\/www.o\" target=\"_blank\" rel=\"noopener\">http:\/\/orcid.org\/&nbsp;&nbsp; <\/a>0000-0002-1622-2797<br>\u0421orresponding author e-mail: <a href=\"mailto:sem_dobrianka@mail.ru\">sem_dobrianka@mail.ru<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Abstract<\/em><\/strong> <strong><em><\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The article is devoted to the study of the transformation of the image of artificial intelligence in the US cinema from the end of the 20th century to the present. Based on the analysis of such films as Blade Runner (1982), Terminator (1984), Her (2013), Blade Runner 2049 (2017), The Matrix film franchise (1999, 2003, 2021) and some others, the authors come up to the conclusion that films about artificial intelligence relieve tension in society in relation to the potential dangers that may be associated with the development of technologies based on artificial intelligence. Using the methods of comparative analysis, the authors establish that the image of artificial intelligence in cinema is undergoing significant transformations: from the notion that artificial intelligence is a possible serious threat to humanity in films of the late 20th century, the cinema of the early 21st century is moving towards creating an image of useful cooperation between artificial intelligence and humanity.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Keywords<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Artificial intelligence, contemporary cinema, science fiction<\/em><\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>References<\/strong><\/summary>\n<p class=\"wp-block-paragraph\">1. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u0421\u044b\u0447\u0435\u0432 \u0410.\u0410., \u041a\u043e\u0432\u0430\u043b\u044c \u0415.\u0410., \u0423\u0448\u043a\u0438\u043d \u0421.\u0413. \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0437\u0430 \u043f\u0440\u0435\u0434\u0435\u043b\u0430\u043c\u0438 \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u0438: \u043f\u043e\u0441\u0442\u0433\u0443\u043c\u0430\u043d\u0438\u0437\u043c \u0438 \u0431\u0438\u043e\u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430 \u0432 \u0441\u0435\u0440\u0438\u0430\u043b\u0435 &#8220;\u041c\u0438\u0440 \u0414\u0438\u043a\u043e\u0433\u043e \u0417\u0430\u043f\u0430\u0434\u0430&#8221; \/\/ \u041c\u043e\u043d\u0438\u0442\u043e\u0440\u0438\u043d\u0433 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u043c\u043d\u0435\u043d\u0438\u044f: \u044d\u043a\u043e\u043d\u043e\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0435 \u043f\u0435\u0440\u0435\u043c\u0435\u043d\u044b. 2020. \u2116 6. \u0421. 141-172.&nbsp; EDN: YNYEXC&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alaeddine M., Tannoury A. Artificial Intelligence in Music Composition \/\/ IFIP Advances in Information and Communication Technology. 2021. V. 627. P. 387-397.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Alvares J., Salzman-Mitchell P. The succession myth and the rebellious AI creation: Classical narratives in the 2015 film Ex machina \/\/ Arethusa. 2019. V. 52(2). P. 181-202.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; An Y., An J., Cho S. Artificial intelligence-based predictions of movie audiences on opening Saturday \/\/ International Journal of Forecasting. 2021. V. 37(1). P. 274-288.&nbsp; EDN: AXEIOR<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Anderson T., Packard D. AI jump start: A reappraisal of editing for continuity and discontinuity in film and video games \/\/ AAAI Workshop &#8211; Technical Report. 2014. V. WS-14-06. P. 2-6.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Chen M. AI, cyborgs and post-humanism theory in animation and films \/\/ MATEC Web of Conferences. 2018. V. 22814. \u2116 05005\u044e.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Chen Y. Analysis on the application of artificial intelligence technology in electronic music composition creation \/\/ ACM International Conference Proceeding Series. 2021. P. 1200-1204.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Condorelli F., Rinaudo F., Salvadore F., Tagliaventi S. A match-moving method combining AI and SFM algorithms in historical film footage \/\/ International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences &#8211; ISPRS Archives. 2020. V. 43(B2). P. 813-820.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Datta A., Goswami R. The Film Industry Leaps into Artificial Intelligence: Scope and Challenges by the Filmmakers \/\/ Advances in Intelligent Systems and Computing. FICR-TEAS. 2020. V. 1187. P. 665-670.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Du W., Han Q. Research on application of artificial intelligence in movie industry \/\/ Proceedings of SPIE &#8211; The International Society for Optical Engineering. 2021. V. 120762021. \u2116 12076172021.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Escudero P\u00e9rez J. &#8220;An AI doesn&#8217;t need a gender&#8221; (but it&#8217;s still assigned one): paradigm shift of the artificially created woman in film \/\/ Feminist Media Studies. 2020. V. 20(3). P. 325-340.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Li F. Research on the Application of Artificial Intelligence Technology in Music Creation \/\/ Advances in Intelligent Systems and Computing. 2021. V. 1385. P. 750-756.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Li Y. Film and TV Animation Production Based on Artificial Intelligence AlphaGd \/\/ Mobile Information Systems. 2021. \u2116 1104248.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">14. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lorencik D., Tarhanicova M., Sincak P. Influence of Sci-Fi films on artificial intelligence and vice-versa \/\/ SAMI 2013 &#8211; IEEE 11th International Symposium on Applied Machine Intelligence and Informatics, Proceedings. 2013. \u2116 64809902013. \u0420. 27-31.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">15. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Saxena N.B. AI as Awakened Intelligence: Buddha, Kurzweil and the Film Her \/\/ Theology and Science. 2020. V. 18(1). P. 74-85.&nbsp; EDN: SVEBBY&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">16. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Simeng Z., Yizhou Z., Raj V. Explore the Improvement of the Management of China&#8217;s International Film Festivals Based on Artificial Intelligence \/\/ PervasiveHealth: Pervasive Computing Technologies for Healthcare. AICSconf. 2020. \u0420. 63-67.&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tigre Moura F., Maw C. Artificial intelligence became Beethoven: how do listeners and music professionals perceive artificially composed music? \/\/ Journal of Consumer Marketing. 2021. V. 38(2). P. 137-146.&nbsp; EDN: ULILVF&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">18. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Walton R.E. Theatres of artificial intelligence and the overlooked performances of computing \/\/ Theatre Journal. 2021. V. 73(3). P. 279-298.&nbsp; EDN: BHUMGQ&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">19. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Wan Y., Ren M. New Visual Expression of Anime Film Based on Artificial Intelligence and Machine Learning Technology \/\/ Journal of Sensors. 2021. \u2116 9945187.&nbsp; EDN: HTHHLR&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">20. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zhou X., Li M. Industrial solution of film and television art based on game engine under artificial intelligence \/\/ PervasiveHealth: Pervasive Computing Technologies for Healthcare. AIAM. 2020. \u0420. 23-25.&nbsp; &nbsp;<\/p>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.elibrary.ru\/item.asp?id=48068924\" target=\"_blank\" rel=\"noopener\">Get access to the full version of this article<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0423\u0414\u041a 791.43.04 Artificial intellegence in US cinema from the end of the 20th century to the benggining of the 21st century Ksenya V. Resnikova Siberian federal universityORCID ID: http:\/\/orcid.org\/0000-0003-0889-4582&nbsp;&nbsp;&nbsp;\u0421orresponding author e-mail: kreznikova@ sfu-kras.ru&nbsp; &nbsp; Ekaterina A. Sertakova Siberian federal universityORCID ID: http:\/\/orcid.org\/0000-0002-7153-9770&nbsp;&nbsp;\u0421orresponding author e-mail: sertachok@mail.ru Aleksandra \u0410. Sitnikova Siberian federal universityORCID ID: http:\/\/orcid.org\/&nbsp;&nbsp; 0000-0002-1622-2797\u0421orresponding author &#8230; <a title=\"Artificial intellegence in US cinema from the end of the 20th century to the benggining of the 21st century\" class=\"read-more\" href=\"http:\/\/intelsiberia.ru\/en\/sai-54\/\" aria-label=\"Read more about Artificial intellegence in US cinema from the end of the 20th century to the benggining of the 21st century\">Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=6161","footnotes":""},"wf_page_folders":[299],"class_list":["post-6163","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=6163"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6163\/revisions"}],"predecessor-version":[{"id":6164,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6163\/revisions\/6164"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=6163"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=6163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}