{"id":6133,"date":"2026-03-04T12:58:27","date_gmt":"2026-03-04T09:58:27","guid":{"rendered":"http:\/\/intelsiberia.ru\/?page_id=6133"},"modified":"2026-03-04T12:58:30","modified_gmt":"2026-03-04T09:58:30","slug":"sai-59","status":"publish","type":"page","link":"http:\/\/intelsiberia.ru\/en\/sai-59\/","title":{"rendered":"THE ARTISTIC IMAGE OF ARTIFICIAL INTELLIGENCE IN ANIMATION OF THE 21ST CENTURY"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0423\u0414\u041a 004.928<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>THE ARTISTIC IMAGE OF ARTIFICIAL INTELLIGENCE IN ANIMATION OF THE 21ST CENTURY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Aleksandra \u0410. Sitnikova<sup>1<\/sup>, Ekaterina A. Sertakova<sup>2<\/sup><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>1<\/sup> Siberian federal university.<br><a href=\"http:\/\/orcid.org\/0000-0002-1622-2797\" target=\"_blank\" rel=\"noopener\">orcid.org\/0000-0002-1622-2797<\/a>, <a href=\"mailto:sem_dobrianka@mail.ru\">sem_dobrianka@mail.ru<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>2<\/sup> Siberian federal university.<br><a href=\"http:\/\/orcid.org\/0000-0002-7153-9770\" target=\"_blank\" rel=\"noopener\">orcid.org\/0000-0002-7153-9770<\/a>, <a href=\"mailto:sertachok@mail.ru\">sertachok@mail.ru<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract.<\/strong> The article is devoted to the consideration of the image of artificial intelligence in modern animation art, which is ideal for visualizing modern humanitarian ideas on this theme. A review of modern scientific articles that consider artificial intelligence in audiovisual arts is presented, differences in the real development of advanced technologies and their perception in artistic creation are revealed. The popular animated anthology &#8220;Love, Death &amp; Robots&#8221; (season 1, 2019) was chosen as the main material for the study, in more detail in the article such series as &#8220;Three Robots&#8221;, &#8220;Behind the Aquila rift&#8221;, &#8220;Sonnie&#8217;s Edge&#8221; and &#8220;Zima Blue.&#8221; In the course of the study, modern philosophical and ethical issues on the topic of the interaction between humanity and artificial intelligence, which are solved in animation art, are analyzed, and the originality of the visual style of the animated anthology is described as &#8220;fantastic romanticism&#8221;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keywords<\/strong>: Artificial intelligence, animation art, &#8220;Love, death &amp; robots&#8221;, fantastic romanticism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>For citation<\/strong>: \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430, \u0410.\u0410. \u0421\u0435\u0440\u0442\u0430\u043a\u043e\u0432\u0430, \u0415.\u0410. \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430 \u0432 \u0430\u043d\u0438\u043c\u0430\u0446\u0438\u0438 XXI \u0432\u0435\u043a\u0430 \/ \u0410.\u0410. \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430, \u0415.\u0410. \u0421\u0435\u0440\u0442\u0430\u043a\u043e\u0432\u0430 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. \u2013 2022. \u2013 \u0422. 3. &#8211; \u2116 2. \u2013 \u0421. 57-70.\u2013 EDN:\u00a0FNLDPE<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>References<\/strong><\/summary>\n<p class=\"wp-block-paragraph\">1. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Aguilar Alcal\u00e1 Sergio. The Missing Piece of Labor in a Posthuman World: The Case of &#8220;Zima Blue&#8221; (Love, Death + Robots, 2019) \/\/ Popular Culture Studies Journal. 2021. V. 9. \u2116 1. P. 195-214.&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Heffernan T. The Post-Apocalyptic Imaginary: Science, Fiction, and the Death Drive \/\/ English Studies in Africa. 2015. V. 58. \u2116 2. P. 66-79.&nbsp; &nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Herhuth E., Flaig P. Slapstick after Fordism: WALL-E, Automatism and Pixar&#8217;s Fun Factory \/\/ Animation. 2016. V. 11. \u2116 1. P. 59-74.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hermann I. Artifcial intelligence in fction: between narratives and metaphors \/\/ AI &amp; SOCIETY. 2021. URL: https:\/\/link.springer.com\/content\/pdf\/.pdf (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 18.04.2022).&nbsp; DOI: 10.1007\/s00146-021-01299-6&nbsp; EDN: BRNYCD&nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kanjilal R., Vijayalakshmi P.P. Technoethics in the isle of dogs \/\/ International Journal of Scientific and Technology Research. 2020. V. 9. \u2116 3. P. 754-756.&nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Li Ji-chao, Zhao Dan-ling, Ge Bing-Feng, Yang Ke-Wei, Chen Ying-Wu. A link prediction method for heterogeneous networks based on BP neural network \/\/ Physica A: Statistical Mechanics and its Applications. 2018. V. 495(\u0421). P. 1-17.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ratnawati F., Winarko E. Sentiment Analysis of Movie Opinion in Twitter Using Dynamic Convolutional Neural Network Algorithm \/\/ IJCCS (Indonesian Journal of Computing and Cybernetics Systems). 2018. V. 12. \u2116 1. P.1-10.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Semyonova A. A. The Concept &#8220;State&#8221; in Local Culture of Krasnoyarsk: The Results of an Associative Experiment Based on the Method &#8220;Series of Thematic Associations&#8221; \/\/Journal of Siberian Federal University. Humanities &amp; Social Sciences. &#8211; 2011. &#8211; \u0422. 11. &#8211; \u2116. 4. &#8211; \u0421. 1526-1542.&nbsp; EDN: OIYBRF&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Shpak, A.A., Pchelkina, D.S. (2020). Methodology for the study of complex identity \/\/ J. Sib. Fed. Univ. Humanit. Soc. Sci., 13(5), 752-761.&nbsp; DOI: 10.17516\/1997-1370-0604&nbsp; EDN: KTREVV<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. &nbsp;&nbsp;&nbsp; Tai P.-Y. The Animator as Inventor: Labour and the New Animated Machine Comedy of the 2010s \/\/ Animation. 2018. V. 13. \u2116 3. P. 238-251.&nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">11. &nbsp;&nbsp;&nbsp; Telotte J.P. Animating the science fiction imagination. 2017. 160 p.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">12. &nbsp;&nbsp;&nbsp; Wagner K.B., Jang I.-G. The 3-D Animated Codescape: Imperfection and Digital Labor Zones in Wall-E (2008) and Wreck-It Ralph (2012) \/\/ Animation. 2016. V. 11. \u2116 2. P. 130-145.&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13. &nbsp;&nbsp;&nbsp; Weidenfeld N. Fictionalizing the Robot and Artificial Intelligence. In: Werthner, H., Prem, E., Lee, E.A., Ghezzi, C. (eds) Perspectives on Digital Humanism. Springer, Cham. 2022. 10.1007\/978-3-030-86144-5_14 (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f 12.04.2022).&nbsp; DOI: 10.1007\/978-3-030-86144-5_14(&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">14. &nbsp;&nbsp;&nbsp; Zhang Li, Luo Jianhua, Yang Suying. Forecasting box office revenue of movies with BP neural network \/\/ Expert Systems with Applications. 2009. V. 36. P. 6580-6587.&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">15. &nbsp;&nbsp;&nbsp; \u0410\u0432\u0434\u0435\u0435\u0432\u0430 \u042e. \u041d. \u0438 \u0434\u0440. \u0421\u0438\u043c\u0432\u043e\u043b\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u044d\u043a\u043e\u043b\u043e\u0433\u0438\u044f \u043a\u0430\u043a \u0438\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0439 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0430 \/\/\u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. &#8211; 2019. &#8211; \u0422. 3. &#8211; \u2116. 3. &#8211; \u0421. 8-23.&nbsp; EDN: BPSBRF&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">16. &nbsp;&nbsp;&nbsp; \u0410\u043d\u0434\u0440\u044e\u0448\u0438\u043d\u0430 \u042f. \u0414., \u0412\u0435\u0440\u0445\u043e\u0442\u0443\u0440\u043e\u0432\u0430 \u041d. \u0412., \u041b\u0438\u0441\u0430\u0432\u0438\u043d\u0430 \u0415. \u041f. \u0412\u043b\u0438\u044f\u043d\u0438\u0435 \u043f\u0430\u0431\u043b\u0438\u043a-\u0430\u0440\u0442\u0430 \u043d\u0430 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0435 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e (\u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0433. \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0430) \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 8-23.&nbsp; DOI: 10.37993\/2712-8733-2022-3-1-8-23&nbsp; EDN: FNCXGE&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">17. &nbsp;&nbsp;&nbsp; \u0411\u0430\u0443\u044d\u0440 \u0413. \u0412. \u0412\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0441\u0430\u043c\u043e\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f \u0432 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0435\u0442\u0438 &#8220;\u0412\u041a\u043e\u043d\u0442\u0430\u043a\u0442\u0435&#8221; \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 24-40.&nbsp; DOI: 10.37993\/2712-8733-2022-3-1-24-40&nbsp; EDN: GKBFDC&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">18. &nbsp;&nbsp;&nbsp; \u0414\u0435\u043d\u0438\u0441\u043e\u0432\u0430 \u041c. \u0410., \u0418\u0433\u043d\u0430\u0442\u0435\u043d\u043a\u043e \u0421. \u0410., \u0421\u043e\u0440\u043e\u043a\u0438\u043d\u0430 \u0410. \u0415. \u0420\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f \u043e\u0431\u0440\u0430\u0437\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0432 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0445 \u0441\u0435\u0442\u044f\u0445 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 4. \u0421. 33-40.&nbsp; DOI: 10.37993\/2712-8733-2021-2-4-33&nbsp; EDN: JHKKHP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">19. &nbsp;&nbsp;&nbsp; \u0417\u0430\u043c\u0430\u0440\u0430\u0435\u0432\u0430 \u042e. \u0421. \u0410\u043d\u0430\u043b\u0438\u0437 \u043f\u043e\u043d\u044f\u0442\u0438\u044f &#8220;\u0433\u043b\u043e\u0431\u0430\u043b\u044c\u043d\u044b\u0435 \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0438&#8221;. \u0412\u043e\u0437\u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0435 \u0433\u043b\u043e\u0431\u0430\u043b\u044c\u043d\u044b\u0445 \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0439 \u043d\u0430 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0443 \u0438 \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u044c (\u0442\u0435\u043e\u0440\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435) \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 1. \u0421. 27-40.&nbsp; DOI: 10.37993\/2712-8733-2021-2-1-27&nbsp; EDN: XEAVNH&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">20. &nbsp;&nbsp;&nbsp; \u041a\u043e\u0437\u043b\u043e\u0432 \u0415.\u0421., \u0421\u0435\u0440\u0442\u0430\u043a\u043e\u0432\u0430 \u0415.\u0410. \u041e\u0431\u0440\u0430\u0437 &#8220;\u041a\u043e\u0441\u043c\u043e\u0441\u0430&#8221; \u0432 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f\u0445 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0430\u0443\u0434\u0438\u043e\u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2(2). \u0421. 44-50.&nbsp; EDN: UXJPPV&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">21. &nbsp;&nbsp;&nbsp; \u041a\u043e\u043b\u0435\u0441\u043d\u0438\u043a \u041c. \u0410. \u0424\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0438\u0435 \u0430\u0441\u043f\u0435\u043a\u0442\u044b \u043f\u043e\u043d\u044f\u0442\u0438\u044f&#8221; \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0430\u044f \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u044c&#8221; \/\/\u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. &#8211; 2018. &#8211; \u0422. 2. &#8211; \u2116. 2. &#8211; \u0421. 22-33.&nbsp; EDN: XVLYHZ&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">22. &nbsp;&nbsp;&nbsp; \u041a\u043e\u043b\u0435\u0441\u043d\u0438\u043a \u041c. \u0410., \u041b\u0435\u0449\u0438\u043d\u0441\u043a\u0430\u044f \u041d. \u041c., \u0421\u0435\u0440\u0433\u0435\u0435\u0432\u0430 \u041d. \u0410. \u0414\u0430\u0439\u0434\u0436\u0435\u0441\u0442 \u043d\u043e\u0432\u043e\u0441\u0442\u0435\u0439 \u0432 \u0441\u0444\u0435\u0440\u0435 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. &#8211; 2022. &#8211; \u0422. 3. &#8211; \u2116 1. &#8211; \u0421. 18-28.&nbsp; DOI: 10.31804\/2712-939X-2022-3-1-18-28&nbsp; EDN: AKUVFE&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">23. &nbsp;&nbsp;&nbsp; \u041a\u043e\u043f\u0446\u0435\u0432\u0430 \u041d. \u041f. \u0412\u043e\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442\u0438 BIM (Building Information Modeling)-\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0439 \u0434\u043b\u044f \u0438\u043d\u043d\u043e\u0432\u0430\u0446\u0438\u043e\u043d\u043d\u043e\u0433\u043e \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2. \u0421. 8-24.&nbsp; DOI: 10.37993\/2712-8733-2021-2-2-8-24&nbsp; EDN: GIRJCD&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">24. &nbsp;&nbsp;&nbsp; \u041a\u043e\u043f\u0446\u0435\u0432\u0430 \u041d.\u041f. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u0432 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u0441\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430: \u0431\u0430\u0437\u043e\u0432\u044b\u0435 \u043f\u043e\u0434\u0445\u043e\u0434\u044b. \u0427\u0430\u0441\u0442\u044c 2 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. &#8211; 2022. &#8211; \u0422. 3. &#8211; \u2116 1. &#8211; \u0421. 7-17.&nbsp; DOI: 10.31804\/2712-939X-2022-3-1-7-17&nbsp; EDN: WGOMRJ&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">25. &nbsp;&nbsp;&nbsp; \u041a\u0440\u0438\u0432\u0443\u043b\u044f \u041d.\u0413. \u0418\u043d\u0442\u0435\u0440\u043d\u0435\u0442 \u0438 \u0441\u0435\u0442\u0435\u0432\u0430\u044f \u0430\u043d\u0438\u043c\u0430\u0446\u0438\u044f \/\/ \u042d\u043a\u0440\u0430\u043d\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430. \u0422\u0435\u043e\u0440\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u044b. \u0421\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u0435\u0439. \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433. \u0421. 323-356.&nbsp; EDN: RAEJMR&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">26. &nbsp;&nbsp;&nbsp; \u041b\u0435\u0441\u043d\u0438\u0447\u0438\u0445 \u0410. \u0410. \u0426\u0438\u0444\u0440\u043e\u0432\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e: \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0438 \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 41-51.&nbsp; DOI: 10.37993\/2712-8733-2022-3-1-41-5&nbsp; EDN: VFXERO&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">27. &nbsp;&nbsp;&nbsp; \u041c\u0443\u043a\u043e\u0432\u043d\u0438\u043d\u0430 \u0410. \u042f. \u0420\u0435\u0446\u0435\u043d\u0437\u0438\u044f \u043d\u0430 \u0441\u0442\u0430\u0442\u044c\u044e A. Acerbi &#8220;Cognitive attraction and online misinformation&#8221; \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2. \u0421. 59-64.&nbsp; DOI: 10.37993\/2712-8733-2021-2-2-59-64&nbsp; EDN: XEIIXR&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">28. &nbsp;&nbsp;&nbsp; \u041c\u044f\u0441\u043e\u0443\u0442\u043e\u0432 \u041e. \u0412. &#8220;Homo Internetus&#8221;: \u043c\u043e\u043b\u043e\u0434\u0435\u0436\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u043d\u043e\u0432\u043e\u0439 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b, &#8211; 2022. &#8211; \u2116 1 (3). &#8211; \u0421. 38-45.&nbsp; DOI: 10.31804\/2542-1816-2022-6-1-38-45&nbsp; EDN: CBYLAC&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">29. &nbsp;&nbsp;&nbsp; \u041d\u0435\u043f\u0438\u0439\u043f\u043e\u0432 \u0412.\u0412. \u0413\u0438\u043f\u0435\u0440\u0440\u0435\u0430\u043b\u0438\u0437\u043c \u0432 \u0446\u0438\u0444\u0440\u043e\u0432\u043e\u043c \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0435 (\u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0441\u0435\u0440\u0438\u0430\u043b\u0430-\u0430\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u0438 &#8220;\u041b\u044e\u0431\u043e\u0432\u044c, \u0441\u043c\u0435\u0440\u0442\u044c \u0438 \u0440\u043e\u0431\u043e\u0442\u044b&#8221;) \/\/ \u041d\u0430\u0443\u043a\u0430 \u0442\u0435\u043b\u0435\u0432\u0438\u0434\u0435\u043d\u0438\u044f. 2021. \u2116 17(3). \u0421. 73-94.&nbsp; EDN: VQVCOZ&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">30. &nbsp;&nbsp;&nbsp; \u041f\u0430\u0448\u043e\u0432\u0430 \u042d. \u0412. \u0414\u0435\u043c\u043e\u043d\u0441\u0442\u0440\u0430\u0446\u0438\u044f \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0445 \u043c\u043e\u0434\u0435\u043b\u0435\u0439 \u043f\u043e\u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043e\u043c \u043f\u0443\u0442\u0438 \u0430\u0440\u0445\u0435\u0442\u0438\u043f\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0433\u0435\u0440\u043e\u044f (\u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0435 \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u043f\u043e\u043b\u043d\u043e\u043c\u0435\u0442\u0440\u0430\u0436\u043d\u044b\u0445 \u0430\u043d\u0438\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u044b\u0445 \u0444\u0438\u043b\u044c\u043c\u043e\u0432 &#8220;\u0425\u043e\u043b\u043e\u0434\u043d\u043e\u0435 \u0441\u0435\u0440\u0434\u0446\u0435&#8221; \u0438 &#8220;\u0425\u043e\u043b\u043e\u0434\u043d\u043e\u0435 \u0441\u0435\u0440\u0434\u0446\u0435 II&#8221;)\/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. &#8211; 2020. &#8211; \u0422. 4. &#8211; \u2116 3 (09). &#8211; \u0421. 106-117.&nbsp; DOI: 10.31804\/2542-1816-2020-4-3-106-117&nbsp; EDN: MFTERO&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">31. &nbsp;&nbsp;&nbsp; \u041f\u0430\u0448\u043e\u0432\u0430 \u042d. \u0412. &#8220;\u0421\u0443\u043f\u0435\u0440\u0431\u043e\u0433\u0438&#8221;: \u043a\u0430\u043a \u0441\u043e\u0437\u0434\u0430\u0442\u0435\u043b\u0438 \u043a\u043e\u043c\u0438\u043a\u0441\u043e\u0432 \u043e\u0441\u043c\u044b\u0441\u043b\u044f\u044e\u0442 \u0430\u0440\u0445\u0435\u0442\u0438\u043f\u044b \u0441\u0443\u043f\u0435\u0440\u0433\u0435\u0440\u043e\u0435\u0432 \/\/\u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0410\u0440\u0445\u0438\u0432\u044b \u0438 \u042d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. &#8211; 2020. &#8211; \u0422. 4. &#8211; \u2116. 3. &#8211; \u0421. 100.&nbsp; EDN: LFNHAG&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">32. &nbsp;&nbsp;&nbsp; \u041f\u0438\u043a\u043e\u0432 \u041d. \u041e. \u0412\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c (VR) \u0438 \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u0438\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b, &#8211; 2022. &#8211; \u2116 1 (3). &#8211; \u0421. 58-68.&nbsp; DOI: 10.31804\/2542-1816-2022-6-1-58-6&nbsp; EDN: RWCLEM&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">33. &nbsp;&nbsp;&nbsp; \u041f\u0438\u043a\u043e\u0432 \u041d. \u041e. \u041a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. &#8211; 2022. &#8211; \u0422. 6. &#8211; No 1. &#8211; \u0421. 65-77.&nbsp; DOI: 10.31806\/2542-1158-2022-6-1-65-77&nbsp; EDN: TFLDUR&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">34. &nbsp;&nbsp;&nbsp; \u041f\u0438\u043a\u043e\u0432 \u041d. \u041e. \u0420\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f: \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0435 \u043f\u043e\u0434\u0445\u043e\u0434\u044b \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. &#8211; 2022. &#8211; \u0422. 6. &#8211; No 1. &#8211; \u0421. 174-186.&nbsp; DOI: 10.31806\/2542-1158-2022-6-1-174-186&nbsp; EDN: XYUVSB&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">35. &nbsp;&nbsp;&nbsp; \u0420\u0435\u0437\u043d\u0438\u043a\u043e\u0432\u0430 \u041a. \u0412., \u0421\u0435\u0440\u0442\u0430\u043a\u043e\u0432\u0430 \u0415 \u0410., \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430 \u0410. \u0410. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442 \u0432 \u0410\u043c\u0435\u0440\u0438\u043a\u0430\u043d\u0441\u043a\u043e\u043c \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0435 \u043a\u043e\u043d\u0446\u0430 XX &#8211; \u043d\u0430\u0447\u0430\u043b\u0430 XXI \u0432\u0435\u043a\u043e\u0432 \/\/ \u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0430. &#8211; 2022. &#8211; \u0422. 3. &#8211; \u2116 1. &#8211; \u0421. 42-49.&nbsp; DOI: 10.31804\/2712-939X-2022-3-1-42-49&nbsp; EDN: HZKFIC&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">36. &nbsp;&nbsp;&nbsp; \u0421\u0435\u043b\u0438\u043d\u0430 \u0415. \u0415. \u0414\u0432\u0438\u0436\u0435\u043d\u0438\u0435 \u0432 \u043a\u0438\u043d\u0435\u043c\u0430\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043e\u0431\u0440\u0430\u0437\u0435 \/\/ \u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b, &#8211; 2022. &#8211; \u2116 1 (3). &#8211; \u0421. 103-110.&nbsp; DOI: 10.31804\/2542-1816-2022-6-1-103-110&nbsp; EDN: MMSVQS&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">37. &nbsp;&nbsp;&nbsp; \u0421\u0435\u0440\u0435\u0434\u043a\u0438\u043d\u0430 \u041d. \u041d. \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f \u0438 \u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430: \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0439 \u0441\u0442\u0430\u0442\u0443\u0441 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0439 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2021. \u2116 2. \u0421. 25-34.&nbsp; DOI: 10.37993\/2712-8733-2021-2-2-25-34&nbsp; EDN: VVTKNU&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">38. &nbsp;&nbsp;&nbsp; \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430 \u0410. \u0410. \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438 \u0438 \u043e\u0431\u0440\u0430\u0437 \u0410\u0440\u043a\u0442\u0438\u043a\u0438 \u0432 \u0437\u0430\u0440\u0443\u0431\u0435\u0436\u043d\u043e\u0439 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u0438 XIX \u0432\u0435\u043a\u0430 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. &#8211; 2022. &#8211; \u0422. 6. &#8211; No 1. &#8211; \u0421. 240-249.&nbsp; DOI: 10.31806\/2542-1158-2022-6-1-240-249&nbsp; EDN: KEPVYT&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">39. &nbsp;&nbsp;&nbsp; \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432\u0430 \u0410. \u0410. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0435 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438 \u0444\u043e\u0440\u0441\u0430\u0439\u0442-\u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u0431\u0443\u0434\u0443\u0449\u0435\u0433\u043e \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e-\u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u0438\u0441\u0442\u0435\u043c, \u0432 \u0442\u043e\u043c \u0447\u0438\u0441\u043b\u0435 \u044d\u0442\u043d\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0445 \u0433\u0440\u0443\u043f\u043f \u0441\u0435\u0432\u0435\u0440\u043d\u044b\u0445 \u0440\u0435\u0433\u0438\u043e\u043d\u043e\u0432 \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u0424\u0435\u0434\u0435\u0440\u0430\u0446\u0438\u0438 \/\/\u0421\u043e\u0446\u0438\u043e\u0434\u0438\u043d\u0430\u043c\u0438\u043a\u0430. &#8211; 2014. &#8211; \u2116. 9. &#8211; \u0421. 44-62.&nbsp; EDN: SXPIFP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">40. &nbsp;&nbsp;&nbsp; \u0428\u0438\u0448\u043a\u043e\u0432\u0430 \u0415. \u0415. \u0418\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0441 \u043f\u043e\u043c\u043e\u0449\u044c\u044e \u0446\u0438\u0444\u0440\u043e\u0432\u044b\u0445 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0439 \u0438 \u0432\u0438\u0440\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u0440\u0435\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 61-70.&nbsp; DOI: 10.37993\/2712-8733-2022-3-1-61-70&nbsp; EDN: SZGGGP&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">41. &nbsp;&nbsp;&nbsp; \u0428\u043f\u0430\u043a \u0410. \u0410. \u0421\u043b\u043e\u0436\u043d\u044b\u0435 \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u0438: \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u0435 \u0444\u0435\u043d\u043e\u043c\u0435\u043d\u0430 \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u043e\u043c \u0437\u043d\u0430\u043d\u0438\u0438 \/\/ \u0421\u0435\u0432\u0435\u0440\u043d\u044b\u0435 \u0430\u0440\u0445\u0438\u0432\u044b \u0438 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438. &#8211; 2022. &#8211; \u0422. 6. &#8211; No 1. &#8211; \u0421. 10-16. 10.31806\/2542-1158- 2022-6-1-10-16.&nbsp; DOI: 10.31806\/2542-1158-2022-6-1-10-16&nbsp; EDN: SQNJYN&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">42. &nbsp;&nbsp;&nbsp; \u0428\u0443\u0440\u043c\u0430\u043d\u043e\u0432\u0430 \u0410. \u0410. \u0412\u043b\u0438\u044f\u043d\u0438\u0435 \u0441\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0435\u0442\u0438 Instagram \u043d\u0430 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u0431\u0440\u0438\u0442\u0430\u043d\u0441\u043a\u043e\u0433\u043e \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0430 Kelly Beeman \/\/ \u0426\u0438\u0444\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f. 2022. \u0422. 3. \u21161. \u0421. 52-60.&nbsp; DOI: 10.37993\/2712-8733-2022-3-1-52-60&nbsp; EDN: ECUVHE<\/p>\n<\/details>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong><a href=\"https:\/\/elibrary.ru\/item.asp?id=48524748\" data-type=\"link\" data-id=\"https:\/\/elibrary.ru\/item.asp?id=48524748\" target=\"_blank\" rel=\"noreferrer noopener\">Get access to the full version of this article<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0423\u0414\u041a 004.928 THE ARTISTIC IMAGE OF ARTIFICIAL INTELLIGENCE IN ANIMATION OF THE 21ST CENTURY Aleksandra \u0410. Sitnikova1, Ekaterina A. Sertakova2 1 Siberian federal university.orcid.org\/0000-0002-1622-2797, sem_dobrianka@mail.ru 2 Siberian federal university.orcid.org\/0000-0002-7153-9770, sertachok@mail.ru Abstract. The article is devoted to the consideration of the image of artificial intelligence in modern animation art, which is ideal for visualizing modern humanitarian &#8230; <a title=\"THE ARTISTIC IMAGE OF ARTIFICIAL INTELLIGENCE IN ANIMATION OF THE 21ST CENTURY\" class=\"read-more\" href=\"http:\/\/intelsiberia.ru\/en\/sai-59\/\" aria-label=\"Read more about THE ARTISTIC IMAGE OF ARTIFICIAL INTELLIGENCE IN ANIMATION OF THE 21ST CENTURY\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_locale":"en_US","_original_post":"http:\/\/intelsiberia.ru\/?page_id=6129","footnotes":""},"wf_page_folders":[299],"class_list":["post-6133","page","type-page","status-publish","en-US"],"acf":[],"_links":{"self":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/comments?post=6133"}],"version-history":[{"count":1,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6133\/revisions"}],"predecessor-version":[{"id":6135,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/pages\/6133\/revisions\/6135"}],"wp:attachment":[{"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/media?parent=6133"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"http:\/\/intelsiberia.ru\/wp-json\/wp\/v2\/wf_page_folders?post=6133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}