afannaim@gmail.com<\/a><\/p>\n\n\n\nAbstract. <\/strong>AIn the article, author addresses the problem of development of contemporary young art in the Krasnoyarsk, in the conditions in which it exists, and with the activities of those institutions in which it is becoming. There is considered the experience of various events, their organization and results. The report highlights the process of realization from the regional point of view. It is concluded that the problem is solved by the adoption of flexible decisions of institutions with the aim of involving artists in various kinds of projects to organize their interaction, as well as the search for an aesthetic focus of that will be combined with global trends and themes. At the moment, the article fixes the features of the global aspect and the regional, is emphasized their importance for building a unique picture of the art system of Krasnoyarsk. How local institutions realize themselves, how and where artists can popularize and sell their art, as well as what experience has already allowed to determine the course of development. The article describes the need for the emergence of software development strategy for the young contemporary art in support of curatorial projects, where there is possibility of new visual images, in order to support the identity of the Siberian art. It also emphasizes the importance of not only the economic component of the art market, but also the importance of the conceptual framework that the curators produce. The example of local and international curatorial projects describes the need to transform the art environment of the city, turning their concepts into markers, to understand the uniqueness of the Krasnoyarsk modern process, setting a further plot for development.<\/p>\n\n\n\nKeywords:<\/strong> Regional art, young art, contemporary art of Krasnoyarsk, art institutions, contemporary art, art curating, Krasnoyarsk<\/p>\n\n\n\nFor citation: <\/strong>\u0410\u043d\u0434\u0440\u0435\u0435\u0432\u0430, \u0410. \u0418. \u0420\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u043c\u043e\u043b\u043e\u0434\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0432 \u041a\u0440\u0430\u0441\u043d\u043e\u044f\u0440\u0441\u043a\u0435: \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u0438 \u0438 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442 \/ \u0410. \u0418. \u0410\u043d\u0434\u0440\u0435\u0435\u0432\u0430 \/\/ \u0421\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u0430\u044f \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f \u0421\u0438\u0431\u0438\u0440\u0438. \u2013 2020. \u2013 \u0422. 1, \u2116 3. \u2013 \u0421. 6-13. \u2013 DOI 10.31804\/2687-0606-2020-1-3-6-12. \u2013 EDN WMJFTL.<\/p>\n\n\n\t\t\n\t\t\t
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