\u0423\u0414\u041a 316.4.051<\/p>\n\n\n\n
CULTURAL MEMORY AND DESIGN OF ETHNIC CULTURAL IDENTITY OF INDIGENOUS PEOPLES: CONCEPTUAL BASES OF RESEARCH<\/strong><\/p>\n\n\n\n Kseniya A. Degtyarenko<\/strong><\/strong><\/p>\n\n\n\n Siberian Federal University, Krasnoyarsk, Russia<\/p>\n\n\n\n akseniya.krupkina@mail.ru<\/a>, orcid.org\/0000-0002-6398-0259<\/a><\/p>\n\n\n\n Abstract. <\/strong>This article presents the results of an analytical review of classical and modern memory studies developed in the fields of philosophy, psychology, sociology, art history, and cultural history. The specifics of cultural memory in the scientific works of Y. Assman and A. Assman, the concept of \u201cplaces of memory\u201d in the research of scientists of the late XX – early XXI century. The article raises the problem of blurring and deformation of cultural memory in modern sociocultural space, the solution of which many researchers see in the institutionalization of memory, as well as the issue of museization of modern culture. The author considers cultural memory as one of the main mechanisms for constructing ethnocultural identity, while the process of identity formation is influenced by various external factors, sociocultural and political conditions.<\/p>\n\n\n\n Keywords:<\/strong> cultural memory, memory research, the construction of ethnocultural identity, indigenous peoples, \u201cplaces of memory\u201d, museization.<\/p>\n\n\n\n For citation: <\/strong>\u0414\u0435\u0433\u0442\u044f\u0440\u0435\u043d\u043a\u043e, \u041a. \u0410. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0430\u044f \u043f\u0430\u043c\u044f\u0442\u044c \u0438 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435 \u044d\u0442\u043d\u043e\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0439 \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u0438 \u043a\u043e\u0440\u0435\u043d\u043d\u044b\u0445 \u043d\u0430\u0440\u043e\u0434\u043e\u0432: \u043a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \/ \u041a. \u0410. \u0414\u0435\u0433\u0442\u044f\u0440\u0435\u043d\u043a\u043e \/\/ \u0421\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u0430\u044f \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f \u0421\u0438\u0431\u0438\u0440\u0438. \u2013 2020. \u2013 \u0422. 1, \u2116 1. \u2013 \u0421. 31-37. \u2013 EDN QTLIEM.<\/p>\n\n\n\t\t