УДК 316.658.2
THE IMAGE OF ISLAM IN MODERN CINEMATOGRAPH
Alexander A. Bayursky1, Ilya A. Manakov2
1Siberian Federal University, Krasnoyarsk, Russia.
albaurskey@gmail.com
2 Siberian Federal University, Krasnoyarsk, Russia.
orcid.org/0000-0001-9833-0654, imanakov2001@gmail.com
Abstract. In modern society, it is often easy to find unjustifiably negative associations about Islam, which, in particular, take place in the works of modern cinematograph. The purpose of this study is to identify the connection between the associations of the European population with Islam and the image of the followers of Islam in modern cinematograph. To achieve the goal of our interest, at the beginning was made a study of a current state of the issue, by searching and analyzing modern scientific research, with subsequent conclusions. After formulating the conclusions, it was decided to test them by the way of conducting a sociological survey among students of the Siberian Federal University. It was decided to conduct the survey in a remote format on the online platform “Google Forms”, where respondents were asked to express their point of view on several issues related to the image of Islam / Muslims in modern cinema. The result of the sociological survey was confirmation of the conclusions obtained in the course of a review of scientific literature, the main of which was to find the presence of obvious stereotypes of a negative nature regarding the religious system of Islam and its representatives in modern cinematograph.
Keywords: Islam, the image of islam, modern cinematography, Russian cinematography, American cinematography.
For citation: Баюрский, А. А. образ ислама в современном кинематографе / А. А. Баюрский, И. А. Манаков // Социальная антропология Сибири. – 2020. – Т. 1, № 4. – С. 75-82. – DOI 10.31804/2687-0606-2020-1-4-75-82. – EDN XSDWYX.
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